The Official Blog of Laemmle Theatres.

blog.laemmle.com

The official blog of Laemmle Theatres

  • All
  • Laemmle Virtual Cinema
  • Theater Buzz
    • Claremont 5
    • Glendale
    • Newhall
    • NoHo 7
    • Playhouse 7
    • Royal
    • Santa Monica
    • Town Center 5
  • Q&A’s
  • Film Series
    • Anniversary Classics
    • Culture Vulture
    • Throwback Thursdays
  • Locations & Showtimes
    • Laemmle Virtual Cinema
    • Claremont
    • Glendale
    • NewHall
    • North Hollywood
    • Pasadena Playhouse 7
    • Royal (West LA)
    • Santa Monica
    • Town Center (Encino)
  • Facebook
  • Instagram
  • RSS
  • Twitter

You are here: Home / Films

Forty-Fifth Anniversary Screenings of Louis Malle’s LACOMBE LUCIEN on October 16th

October 9, 2019 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present our Anniversary Classics Abroad program for October: Louis Malle’s LACOMBE LUCIEN, nominated for Best Foreign Language Film of 1974.

The film was one of the movies, following Marcel Ophuls’ monumental documentary ‘The Sorrow and the Pity,’ that scrutinized French collaboration with the Nazis during World War II.

Malle’s movie tells a fictional but provocative story, written by the director and novelist Patrick Modiano, about a teenage boy who savors the power he accrues when he joins the Gestapo during the final months of the war.

LACOMBE LUCIEN takes place in 1944, after the Allies have landed in Normandy but the Nazis are still fighting to retain their hold on the country. Lucien Lacombe is an uneducated peasant boy who first tries to escape his humdrum life by volunteering for the Resistance.

When they reject him for being too young, he stumbles into an opportunity working for the Gestapo in his town and discovers a taste and talent for brutality. His loyalties are complicated, however, when he falls in love with a beautiful Jewish girl who is in hiding with her father and grandmother.

Malle found a brand new actor, Pierre Blaise, to play the part of Lucien. He was working as a woodcutter when Malle discovered him. Although his debut performance was highly acclaimed, Blaise’s career was cut tragically short when he died in a car crash just a year after the release of the film. But Aurore Clement, cast as the young Jewish girl, went on to have a long and rewarding career in French cinema, even appearing in some American movies like ‘Apocalypse Now’ and ‘Paris, Texas.’

Distinguished European actors Therese Giehse and Holger Lowenadler filled out the cast. Lowenadler, who played Clement’s cultivated father, was voted best supporting actor of the year by both the National Society of Film Critics and the National Board of Review.

Critics praised the film for its dispassionate insight into how perfectly ordinary people could be seduced by a taste of power and violence. Pauline Kael wrote, “Malle’s film is a long, close look at the banality of evil; it is—not incidentally—one of the least banal movies ever made.”

The New York Times’ Vincent Canby wrote, “’Lacombe Lucien’ is easily Mr. Malle’s most ambitious, most provocative film.” Leonard Maltin called it a “subtle, complex tale of guilt, innocence, and the amorality of power; masterfully directed.”

Although it is a vivid historical recreation, the film remains startlingly timely in its examination of the deadly lure of fascism.

LACOMBE LUCIEN screens Wednesday, October 16, at 7PM in Glendale, Pasadena, and West LA. Click here for tickets.

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Abroad, Anniversary Classics, Featured Post, Films, Playhouse 7, Repertory Cinema, Royal, Town Center 5

Director of Photography Fan Chao in Person for a Tribute Screening of the Chinese Masterpiece AN ELEPHANT SITTING STILL.

October 9, 2019 by Lamb L.

On Sunday, October 27 at the Ahrya Fine Arts, we’ll screen one of the finest films of the year, AN ELEPHANT SITTING STILL, in honor of its late creator. Set under the gloomy skies of a small town in northern China, the movie follows different protagonists whose lives are intertwined in a furious tale of nihilistic rage. Written, directed and edited by Hu Bo, it’s the novelist-turned-director’s first and only feature. On October 12, 2017, at the age of 29, he killed himself soon after completing the film. Based on a story with the same title from his 2017 novel Huge Crack, it premiered at the 68th Berlin International Film Festival, where it won the Best First Feature (Special Mention) and FIPRESCI prizes, nominations for Best First Feature and the C.I.C.A.E. awards and acclaim from other established directors such as Bela Tarr, Wang Bing, Ang Lee and Gus Van Sant. It went on to screen at prestigious festivals and cinemas around the world.

From AN ELEPHANT SITTING STILL. Courtesy of KimStim.

As a fellow Beijing Film Academy graduate and close friend of Hu Bo, cinematographer Fan Chao was one of his chief collaborators for much of Hu’s too-brief career. Fan worked on several of Hu’s short films and served as DP to AN ELEPHANT SITTING STILL, for which Fan received a Best Cinematography nomination at the Golden Horse Awards (the Chinese language Oscars). Fan will be present for a post-screening Q&A.

Filmmaker Bo Hu. Courtesy of KimStim.

One of the most talked about films this year, AN ELEPHANT SITTING STILL is an intense epic drama sure to be remembered as a masterpiece and a landmark in Chinese cinema.

From AN ELEPHANT SITTING STILL. Courtesy of KimStim.

“Powerfully absorbing…an act of solemn, disciplined and passionate protest.” —A.O. Scott, The New York Times

“Should become an enduring classic…one of the greatest recent films.” —Richard Brody, The New Yorker

From AN ELEPHANT SITTING STILL. Courtesy of KimStim.

“This is a film of extraordinary beauty, invention, and grace.” —Jonathan Romney, Film Comment

Fan Chao’s travel is made possible through the generous support of the Beijing Contemporary Art Foundation.

https://vimeo.com/281649547

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Ahrya Fine Arts, Featured Post, Filmmaker in Person, Films, Q&A's

ALWAYS IN SEASON Q&A’s with Filmmaker and Guests Opening Weekend at the Music Hall.

September 26, 2019 by Lamb L.

ALWAYS IN SEASON Q&A’s following the 7:30 pm show on Friday, 9/29 – Sunday, 9/29. Details below.

https://youtu.be/4ZfBr6MPIKE
Friday 9/27 – Re-enactment director Cassandra Greene and director Jacqueline Olive moderated by KUCI’s Mike Kaspar
Saturday 9/28 – Re-enactment director Cassandra Greene, filmmaker Lorena Manriquez, and director Jacqueline Olive
Sunday 9/29 – Professor Melina Abdullah and director Jacqueline Olive

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Filmmaker in Person, Films, Music Hall 3, Q&A's

CHASING EINSTEIN Q&A with Filmmakers at the Claremont.

September 25, 2019 by Lamb L.

CHASING EINSTEIN director Steve Brown and writer Eric Myerson will participate in a Q&A following the 7:30 pm show on Saturday, 9/28.

https://youtu.be/A3NebXesuFc

 

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Claremont 5, Filmmaker in Person, Films, Q&A's

DON’T BE NICE Daily Q&A’s with Cast & Crew Starting 9/27 at the Glendale.

September 24, 2019 by Lamb L.

DON’T BE NICE Q&A’s with producer Nikhil Melnechuk and guests following the 7:20 pm show.

Friday: Composer Khari Mateen, EP Melina Brown, hosted by actress Meital Dohan
Saturday: Composer Khari Mateen, EP Melina Brown, hosted by filmmaker Jacques Thelemaque
Sunday: hosted by Film Threat’s Chris Gore
Tuesday: hosted by actress Karla Mosley
Wednesday: hosted by festival director Theo DuMont
Thursday: hosted by filmmaker James Costa

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Filmmaker in Person, Films, Glendale, Q&A's

SISTER AIMEE Q&A’s with Cast & Crew Opening Weekend at the Glendale.

September 23, 2019 by Lamb L.

SISTER AIMEE Q&A’s following the 7:40 pm show with Anna Margaret, Bettina Barrow, Michael Mosley and moderated by Lily Rabe on Friday, 9/27; with Marie Schlingmann, Samantha Buck, Anna Margaret, Michael Mosley, Amy Hargreaves and moderated by Danielle DiGiacomo on Saturday, 9/28 and with Marie Schlingmann, Samantha Buck, Bettina Barrow; moderator TBD.

https://youtu.be/WP4fQNnA5DI

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Actor in Person, Filmmaker in Person, Films, Glendale, Q&A's

Paulo Sorrentino and Toni Servillo Conjure Berlusconi in LORO, Opening September 27 at the Royal and October 4 at the Playhouse, Claremont & Town Center.

September 18, 2019 by Lamb L.

Sex, drugs, power, and vice: welcome to the mid-2000s Italy of Silvio Berlusconi, the egomaniac billionaire Prime Minister who presides over an empire of scandal and corruption. Sergio (Riccardo Scamarcio) is an ambitious young hustler managing an escort service catering to the rich and powerful. Determined to move up in the world, Sergio sets his sights on the biggest client of all: Berlusconi (Toni Servillo), the disgraced, psychotically charming businessman and ex-PM currently plotting his political comeback. As Berlusconi attempts to bribe his way back to power, Sergio devises his own equally audacious scheme to win the mogul’s attention. Exploding with eye-popping, extravagantly surreal set-pieces, the dazzling, daring new film from Academy Award-winning director Paolo Sorrentino (The Great Beauty) is both a wickedly subversive satire and a furious elegy for a country crumbling while its leaders enrich themselves.

DIRECTOR’S STATEMENT:

Loro, a film in two parts, is a fictional story, a sort of costume drama, which narrates probable or invented facts that took place in Italy, between 2006 and 2010.

Using a variety of characters, Loro seeks to sketch, through glances or intuitions, a moment of history – now definitively closed – which, in a very synthetic vision of events, might be defined as amoral and decadent, but also extraordinarily vital.

And Them [Loro] also seeks to describe certain Italians, simultaneously new and old. Souls in an imaginary, modern purgatory who decide, on the basis of heterogeneous impulses such as ambition, admiration, love, self-interest, personal advantage, to try to revolve around a sort of paradise in flesh and blood: a man by the name of Silvio Berlusconi.

Toni Servillo e Elena Sofia Ricci. Foto di Gianni Fiorito.

These Italians, to my eyes, contain a contradiction: they are predictable but indecipherable. A contradiction which is a mystery. An Italian mystery which the film tries to deal with, but without being judgmental. Inspired only by a desire to understand, and adopting a tone which today, rightly, is considered revolutionary: a tone of tenderness.

But here comes another Italian. Silvio Berlusconi. The way I imagined him.

The story of the man, above all, and only in a marginal way of the politician.

Someone might object that we know plenty not only about the politician, but also about the man.

I doubt that.

Nella foto Toni Servillo. Foto di Gianni Fiorito.

A man, as far as I am concerned, is the result of his feelings more than a biographical total of facts. Therefore, within this story, the choice of facts to be recounted does not follow a principle of relevance dictated by the news agenda of those days, but only tries to dig, groping in the dark, in the man’s conscience.

What, then, are the feelings that stimulated Silvio Berlusconi’s days in this period? What are the emotions, the fears, the delusions of this man in dealing with events that appear to loom like mountains? This, for me, is another mystery the film deals with.

Men of power in the generations before that of Berlusconi were other mysteries, because they were unapproachable. Remember there was a time when we spoke of the disembodiment of power.

Toni Servillo. Photo by Gianni-Fiorito.

Silvio Berlusconi, instead, is probably the first man of power to be an approachable mystery. He has always been a tireless narrator of himself: think, for example, of the picture story Una storia italiana that he had sent to everyone in Italy in 2001, and for this reason too he inevitably became a symbol. And symbols, unlike mere mortals, are public property. And therefore, in this sense, he also represents a part of all Italians.

But, naturally, Silvio Berlusconi is much more. And it is not easy to provide a synthesis. For this reason I have to appeal to a much better man than me: Hemingway.

In The Sun Also Rises, Hemingway writes: “Nobody ever lives their life all the way up except bullfighters.” Paraphrasing things, perhaps the most concise image we can have of Silvio Berlusconi is that of a bullfighter. ~ Paolo Sorrentino

https://www.youtube.com/watch?v=0SC9H6LnZxc

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Claremont 5, Director's Statement, Featured Films, Featured Post, Films, Playhouse 7, Royal, Town Center 5

IMPRISONED Q&A’s with Filmmaker Opening Weekend at the Music Hall.

September 18, 2019 by Lamb L.

IMPRISONED director/writer/producer Paul Kampf will participate in a Q&A following the 7:00 pm show on Friday, 9/20 and Saturday 9/27.

https://youtu.be/jGhmdvT6HGk

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Filed Under: Festival, Films, Music Hall 3, Q&A's

  • « Previous Page
  • 1
  • 2
  • 3
  • 4
  • 5
  • …
  • 92
  • Next Page »

Search

Featured Posts

‘Soros’ and Other New Films

PopCorn Pop-Ups: LAST CHANCE

Instagram

Follow us on Instagram

Recent Posts

  • Thanksgiving THANK YOU: ‘Zappa’ and Other New Films
  • ‘Soros’ and Other New Films
  • PopCorn Pop-Ups: LAST CHANCE
  • ‘Monsoon’ and Other New Films
  • ‘The German Lesson’ and Other New Films
  • ‘The Donut King’ and Other New Films
gayman gayman gayman.cc gayman gayman gayman.cc gayman gayman.cc gayman.cc

Archive