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You are here: Home / Q&A's

Robert Forster In Person for our 50th Anniversary Screening of MEDIUM COOL, March 27th in West LA

March 21, 2019 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of one of the most provocative and explosive films of the late 60s, Haskell Wexler’s MEDIUM COOL followed by a Q&A with Robert Forster.

Wexler was already an Oscar-winning cinematographer of such films as Who’s Afraid of Virginia Woolf?, In the Heat of the Night, and The Thomas Crown Affair when he made his directorial debut with this picture. He also had a background in documentaries, which he put to use in this feature set in Chicago in the summer of 1968, with a climax that takes place during the Democratic convention and the bloody police riot that accompanied it.

The film mixes fact and fiction, documentary footage and staged scenes, as it tells the story of a TV news cameraman, played by Robert Forster, who comes to recognize the moral obligations of a journalist during turbulent times. The film’s co-stars include Peter Bonerz, Marianna Hill, and the late Verna Bloom, who gave an especially poignant performance as an Appalachian woman who becomes involved with Forster. Newcomer Harold Blankenship plays her son, who is befriended by Forster. Wexler wrote the screenplay and acted as his own cinematographer. Oscar winner Verna Fields edited the picture, and Mike Bloomfield composed the score.

The film was controversial but enormously successful. It was rated X by the Classification and Ratings Administration of the MPAA, ostensibly for nudity and language, but Wexler commented that “it was a political X.” It was later re-rated R without cuts.

The New York Times’ Vincent Canby wrote, “The result is a film of tremendous visual impact, a kind of cinematic Guernica, a picture of America in the process of exploding into fragmented bits of hostility, suspicion, fear and violence.” The Los Angeles Times’ Charles Champlin agreed that “Medium Cool provides an astonishingly wide but economical documentation of this particular moment in our history.” And Newsweek’s Joe Morgenstern called it “an exciting piece of work that must be seen by anyone who cares about the development of modern movies.”

The film’s reputation continued to grow in later years, with Siskel and Ebert hailing it as “a well-crafted masterpiece.” In 2003 it was added to the National Film Registry of the Library of Congress.

Robert Forster made his film debut as the object of Marlon Brando’s obsession in John Huston’s controversial 1967 film, Reflections in a Golden Eye, which also starred Elizabeth Taylor, Julie Harris, and Brian Keith. Forster continued to work with top directors of the era, co-starring in Robert Mulligan’s The Stalking Moon and George Cukor’s Justine. Later he earned an Oscar nomination for his vivid portrayal in Quentin Tarantino’s Jackie Brown, and he delivered striking performances in David Lynch’s Mulholland Drive and Alexander Payne’s The Descendants. He has continued to make a strong impression in TV series Last Man Standing and the reboot of Twin Peaks, and just last year he bolstered the family drama, What They Had, in which he co-starred with Blythe Danner, Hilary Swank, and Michael Shannon.

Our 50th anniversary presentation of MEDIUM COOL with Robert Forster in person screens Wednesday, March 27, at 7pm at the Royal in West LA. Click here for tickets.

Format: Blu-ray

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Filed Under: Actor in Person, Anniversary Classics, Featured Post, News, Q&A's, Repertory Cinema, Royal

AMERICAN RELAPSE Q&A with Filmmaker at the Monica Film Center.

March 18, 2019 by Lamb L.

AMERICAN RELAPSE Q&A with filmmaker Pat McGee following the 7:10 pm show on Tuesday, 4/2.

https://vimeo.com/309928484

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Filed Under: Filmmaker in Person, Films, Q&A's, Santa Monica

ART IN THE ARTHOUSE presents: DANCING WITH COLORS in Pasadena

March 14, 2019 by Lamb L.

Swing, samba or shimmy on over to Art in the Arthouse’s newest exhibit in Pasadena, DANCING WITH COLORS. This bold festival of color from artists Nancy R. Wise and Raymond Logan runs till June, 2019.  Sales benefit the Laemmle Foundation and its support of humanitarian and environmental causes in the Los Angeles region.

About the Exhibit
NANCY R. WISE: Oil painter Nancy R. Wise is enchanted by color. She views her art as daily reality transformed by color and texture, woven on the loom of light. She states, “I love the vibrancy of bright colors, thick impasto-like textures against thin washes and strong forms to communicate an experience of a subject’s essence. It is my way to abstract and transform our ordinary experiences and reawaken life’s vibrant aesthetic.”

RAYMOND LOGAN: Don’t call Raymond Logan a “realistic artist.” While his work depicts real-life subject matter, it is grounded in abstraction and intuition. His true goal is to create a dialogue with you, the viewer, where a mutual discovery and re-imagining of “the self” can take place. Logan uses deft strokes of thick paint in surprising colors extrapolated from what he sees in the object – enhanced by how he wants those colors expressed. Get close up and you’ll find that his representational art becomes fully abstract.

Logan and Wise are connected through their mutual love of color and the ways they apply that color to their artwork. Logan spares nothing as he lavishly slaps thick globs of paint onto the canvas, while Wise contrasts impasto with thinner areas to create dynamic separation. From the first moment I saw their vibrant artwork, I knew their pieces would dance well together.

– Tish Laemmle, curator

 

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Filed Under: Art in the Arthouse, Claremont 5, Featured Post, Glendale, NoHo 7, Playhouse 7, Q&A's, Special Events, Town Center 5

THE WIND Q&A with Filmmaker Opening Night in Glendale.

March 14, 2019 by Lamb L.

THE WIND director Emma Tammi will participate in a Q&A on Thursday, 4/4 following the 7:30 pm show.

 

https://youtu.be/WVZBNT0Ap-A

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Filed Under: Filmmaker in Person, Films, Glendale, Q&A's

UPDATED! NEVER LOOK AWAY Q&A’s with Filmmaker at the Playhouse and NoHo.

March 13, 2019 by Lamb L.

https://youtu.be/gCEYXnDNcrg

 

NEVER LOOK AWAY director/screenwriter Florian Henckel von Donnersmarck will participate in a Q&A after the 7:40 pm show on Saturday, 3/16 and at the NoHo following the 4:50 pm show on Sunday, 3/17.

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Filed Under: Filmmaker in Person, Films, NoHo 7, Playhouse 7, Q&A's

STYX Q&A with Filmmakers Opening Night at the Royal.

March 12, 2019 by Lamb L.

STYX director Wolfgang Fischer and writer Ika Künzel will participate in a Q&A on Friday, 3/15 following the 7:20 pm show.

 

https://youtu.be/4fREBiAyu2g

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Filed Under: Filmmaker in Person, Films, Q&A's, Royal

LAS SANDINISTAS! Q&A’s Opening Weekend with Filmmaker at the Monica Film Center.

March 12, 2019 by Lamb L.

LAS SANDINISTAS! Q&A’s with filmmaker Jenny Murray on Friday, 3/15 and Saturday, 3/16 following the 7:10 pm shows and on Sunday, 3/17 after the 4:20 pm show.

 

https://youtu.be/JFkR3SAo12I

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Filed Under: Filmmaker in Person, Films, Q&A's, Santa Monica

KRAMER VS. KRAMER 40th Anniversary Screening with Co-stars Justin Henry and JoBeth Williams In Person

March 6, 2019 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present a 40th anniversary screening of the Academy Award-winning best picture of 1979, KRAMER VS. KRAMER. The film, produced by Stanley R. Jaffe, won four other major Oscars — Best Actor Dustin Hoffman, Best Supporting Actress Meryl Streep, Best Director Robert Benton, and Best Adapted Screenplay by Benton, working from the poignant, timely novel by Avery Corman. The film was also named Best Picture of the Year by both the Los Angeles Film Critics Association and the New York Film Critics Circle.

The picture touched a nerve for audiences because it was one of the first films to dramatize changing gender roles and the bitter aftermath of divorce. In the opening scene Joanna Kramer (Streep) leaves her self-centered, workaholic husband Ted (Hoffman), forcing him to take over the primary parenting role with their six-year-old son, Billy (Justin Henry). Although Ted bungles the job at first, he eventually establishes a deep bond with his son that is threatened several months later when Joanna returns and sues for custody of Billy. The tense courtroom scenes build to a riveting dramatic climax with an unexpected denouement. Award-winning cinematographer Nestor Almendros made the most of interior and exterior Manhattan locations.

Benton’s achievement is in finding sharp, telling details that illuminate character and heighten the drama inherent in everyday life. As Frank Rich wrote in TIME magazine, “Benton gives his film its depth and complexity by challenging the audience’s preconceptions and snap opinions at every turn.” David Denby of New York magazine concurred: “The Robert Benton movie is a major dramatic work—startling and emotionally involving.” Leonard Maltin called it an “intelligent, beautifully crafted, intensely moving film…acted to perfection by entire cast.”

That ensemble included Jane Alexander, Oscar-nominated for her performance as a caring neighbor; veteran actors Howard Duff and George Coe; and two actors making their film debuts, JoBeth Williams and Justin Henry. Williams, who has a couple of vivid scenes as an advertising colleague of Hoffman’s, went on to star in two of the most memorable films of the early 1980s—Steven Spielberg’s production of ‘Poltergeist’ and Lawrence Kasdan’s ‘The Big Chill.’ She also co-starred in ‘American Dreamer,’ ‘Teachers’ with Nick Nolte, and ‘Memories of Me’ with Billy Crystal. She has had a long career in the theater, in several powerful television movies, and has also worked behind the camera as director and producer.

Justin Henry became the youngest actor ever to be nominated for an Oscar for his piercing performance as Billy. The New Republic’s Stanley Kauffmann declared that Henry “goes through as wide a range of scenes as he could possibly be asked for, and he is true, absolutely true, every moment. He’s enchanting.” Gene Shalit added, “I have never seen such realistic acting from a child so young.” When he grew older, Henry appeared in such films as John Hughes’ ‘Sixteen Candles,’ ‘Sweet Hearts Dance,’ and in John Frankenheimer’s award-winning TV drama, ‘Andersonville.’ Today he works as an entrepreneur in digital media.

KRAMER VS. KRAMER (1979) plus Q&A with co-stars Justin Henry and JoBeth Williams screens Thursday, March 14 at 7pm at the Laemmle Royal in West LA. Click here for tickets.

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Filed Under: Actor in Person, Anniversary Classics, Featured Post, News, Q&A's, Repertory Cinema, Royal

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