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You are here: Home / Theater Buzz / Royal

Eightieth Anniversary Screenings of Jean Renoir’s GRAND ILLUSION on November 14 in Encino, Pasadena, and West LA

November 8, 2018 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present the latest in our Anniversary Classics Abroad program, Jean Renoir’s anti-war masterpiece, GRAND ILLUSION. We present this program to commemorate the 100th anniversary of the end of World War I on November 11, 1918. Renoir’s film is generally regarded as the finest set during the First World War, and it endures as a memorable lament for the loss of an entire generation.

Part of the originality and impact of ‘Grand Illusion’ comes from the fact that it has no battle scenes. Much of it is set in a German prison camp where several French soldiers are under the command of an aristocratic German officer, played by silent film director Erich von Stroheim. The prisoners are portrayed by rising French actors Jean Gabin, Pierre Fresnay, and Marcel Dalio. Their struggle to escape the camp provides the suspense in the film’s second half.

Throughout the picture, Renoir sees the humanity in both captives and captors, and the film is especially notable in its portrayal of Dalio’s character, a wealthy French Jew. Filmed on the eve of the Second World War, Renoir deliberately chose to include a prominent Jewish character at a time when virulent anti-Semitism was on the rise in Europe. Nazi propaganda minister Joseph Goebbels called ‘Grand Illusion’ “Cinematic Public Enemy No. 1.”

Elsewhere, the film received nothing but acclaim. In 1937 it won a prize at the Venice Film Festival for Best Artistic Ensemble. When the film opened in the United States in 1938, it became the first foreign language film ever to be nominated by the Academy for Best Picture. (This would not happen again for 30 years, when ‘Z’ received a Best Picture nod in 1969.) Over the years the film was acclaimed by critics and also by other filmmakers. Orson Welles named ‘Grand Illusion’ as one of two films he would take with him to a desert island.

When the film was reissued years later, the New York Times’ Janet Maslin called it “one of the most haunting of all war films… an oasis of subtlety, moral intelligence and deep emotion on the cinematic landscape.” Pauline Kael praised the film as “a triumph of clarity and lucidity; every detail fits simply, easily, and intelligibly.” And Leonard Maltin acclaimed “Renoir’s classic treatise on war, focusing on French prisoners during WWI and their cultured German commandant. Beautiful performances enhance an eloquent script.”

GRAND ILLUSION screens at 7pm on Wednesday, November 14th at the Playhouse 7 in Pasadena, Royal Theatre in West LA, and Town Center 5 in Encino.

Click here to purchase tickets.

Format: DCP

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Filed Under: Abroad, Anniversary Classics, Featured Post, Playhouse 7, Repertory Cinema, Royal, Town Center 5

LAEMMLE LIVE presents: Project LENS November 18 in Santa Monica

October 27, 2018 by Lamb L.

RSVP ON EVENTBRITE
This is a Free Event

Please join us for a very special event as LAEMMLE LIVE presents Project LENS for their Los Angeles debut event on Sunday, November 18, 2018. The event will be presented by LENS co-founders Ariel Mitnick and Rainer Crosett, with featured guest speaker Hillary Green-Lerman, an expert data scientist from DataCamp, the premier online educational platform for data science learning.

Every Project LENS event features thrilling performances of classical music interwoven with a presentation from a non-musical field. For their LA debut, the LENS team will be revealing the commonalities between doing data science and interpreting works of music. A musician’s aim to tell a story through music by interpreting scores in a specific way is, as they will show, not so different from a data scientist’s mission to make raw data intelligible and meaningful to others, also if that line of work interests you, look into data workshops to gain some traction in the industry. These parallel interpretative journeys often lead to conflicting conclusions among both musicians and data scientists, with disagreements over whether, for example, a work of music is fundamentally humorous or tragic, or whether drinking coffee makes you live longer or shorter. What does an honest interpretation based on deep analysis look like in both cases, and what can go wrong? Join Project LENS for this discussion and live performances of string quartets by Beethoven and Debussy!

Project LENS is a performance collaborative founded in Boston in 2014 with the mission of exploring the many ways in which music is connected to the world around it. Our events weave TED-style talks given by experts in their fields together with classical performance, revealing parallels that cast both subjects in a new light. We believe music can interact meaningfully with virtually any other discipline, and our events have featured topics as diverse as evolution, moral philosophy, neurobiology, visual art, and documentary filmography. Our featured speakers have included world-renowned psychologist Steven Pinker, painter Samuel Bak, and numerous Harvard professors and researchers.

Our musical collaborators have included the GRAMMY Award-winning Parker Quartet, and we have appeared at venues ranging from Harvard’s Paine Hall to the Oberon Theatre, the Harvard Ed Portal, and Boston’s Pucker Gallery. Our three co-founders, Ariel Mitnick, Rainer Crosett, and Alan Toda-Ambaras, met during their studies in the Harvard-New England Conservatory Joint Program, and their combined accolades include prize-winning theses and top academic honors at Harvard College, top prizes at international music competitions, and collaborations with artists such as Yo-Yo Ma.

This is a Free Event
RSVP ON EVENTBRITE
Sunday, November 18, 2018
11:00 AM
Monica Film Center

 

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Filed Under: Laemmle Live, News, NoHo 7, Royal, Santa Monica, Town Center 5

Two Horror Classics from the Universal Studio Vaults on Tuesday, October 30 in Pasadena, NoHo, and West LA

October 25, 2018 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present a double feature of classic Universal studios’ horror films on the eve of Halloween, October 30, in our popular Twofer Tuesday (two films for the price of one) program. We will show a “double treat” of the 85th anniversary of THE INVISIBLE MAN (1933) paired with the 70th anniversary of the horror-comedy ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948).

THE INVISIBLE MAN was a key entry in the cycle of terror films from Universal studios in the early 1930s that helped secure its reputation as the “house of horror” in the early sound era. Produced by Carl Laemmle Jr., son of the studio founder, the film stars Claude Rains in his American screen debut and Gloria Stuart, and was based on the H. G. Wells’ novel, adapted for the screen by R. C. Sheriff (‘Goodbye, Mr. Chips,’ ‘The Four Feathers,’ ‘Odd Man Out’). Universal called on James Whale, the acclaimed director of ‘Frankenstein’ and ‘The Old Dark House’ (with ‘The Bride of Frankenstein’ still waiting in the wings in the genre), to helm the project.

Rains portrays Dr. Jack Griffin, a chemist whose experiments with an obscure drug go awry, rendering him invisible and murderously insane. Rains played the title character mostly as a disembodied voice, often shown swathed in bandages, appearing only briefly on screen. He would later become one of the most recognizable of British actors working in Hollywood, garnering four Oscar nominations (‘Mr. Smith Goes to Washington,’ ‘Casablanca,’ ‘Mr. Skeffington,’ ‘Notorious’) and dozens of notable performances in his illustrious career.

Leading lady Gloria Stuart would have to wait sixty-four years before she capped her career with an Oscar nod for ‘Titanic’ in 1997. THE INVISIBLE MAN was a major hit at the box office, and was named one of the year’s ten best by The New York Times, whose critic at the time wrote,“The story makes such superb cinematic material that one wonders why Hollywood did not film it sooner…it is a remarkable achievement.” In 2008 the Library of Congress added it to the National Film Registry.


ABBOTT AND COSTELLO MEET FRANKENSTEIN, as noted by TV Guide, is a “hilarious spoof of the Universal horror films of the 1930s and early 40s.” Bud Abbott and Lou Costello star as railway freight handlers who unwittingly deliver the “undead” bodies of Dracula (Bela Lugosi) and Frankenstein’s Monster (Glenn Strange) to a wax museum, where they are revived. Lon Chaney Jr. co-stars, recreating his role as the Wolf Man, who tries to aid the comic duo. Lugosi donned Dracula’s cape in a featured role for the second and final time on the screen. The Invisible Man also makes a cameo appearance, this time with the voice of Vincent Price.

The film, directed by Charles Barton from a screenplay by Robert Lees, Frederic Rinaldo, and John Grant, was such a huge hit that it propelled Abbott and Costello onto the Top Ten Box Office Stars Poll the following year, where they would be ranked for four consecutive years. Its success also spawned a series of seven films in which the duo would “meet” more of the monsters from the Universal vaults. The film is ranked 56th on the AFI’s list of the Funniest Movies, and was added to the National Film Registry in 2001.

The Halloween Eve Twofer Tuesday double bill of THE INVISIBLE MAN and ABBOTT AND COSTELLO MEET FRANKENSTEIN plays at three Laemmle locations: Royal, NoHo and Pasadena Playhouse 7 on October 30.

ABBOTT & COSTELLO MEET FRANKENSTEIN shows at 4:40 PM and 8:10 PM. THE INVISIBLE MAN shows at 6:30 PM and 9:55.

Click here to get tickets for the 4:40 PM or 8:10 PM ABBOTT & COSTELLO MEET FRANKENSTEIN with the 6:30 PM or 9:55 THE INVISIBLE MAN included.

Click here to get tickets for the 6:30 PM THE INVISIBLE MAN with the 8:10 PM ABBOTT & COSTELLO MEET FRANKENSTEIN included.

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Filed Under: Anniversary Classics, Featured Post, News, NoHo 7, Playhouse 7, Repertory Cinema, Royal, Special Events, Twofer Tuesdays

Jacques Tati’s MON ONCLE 60th Anniversary Screenings October 17 in Encino, Pasadena, and West LA

October 11, 2018 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present the latest installment in our popular Anniversary Classics Abroad program, 60th anniversary screenings of the Oscar winner for Best Foreign Language Film of 1958, Jacques Tati’s MON ONCLE.

Tati made only six feature films over the course of his career (including Jour de Fete, Playtime, and Traffic), and this comedy—his first film in color—is considered one of the highlights.

Tati had introduced the character of Mr. Hulot in Mr. Hulot’s Holiday, his highly praised film from 1953. He once again plays the character of Hulot in this more ambitious satire of modern technology and its dehumanizing effect on family life. Jean-Pierre Zola and Adrienne Servantie play a married couple in thrall to a sterile, workaday world. Alain Becourt plays their young son who finds liberation with his playful uncle.

As in many of Tati’s films, Mon Oncle pays homage to the masters of silent comedy. There is very little dialogue in the film; instead the humor is visual, where the slightly futuristic settings are as important as the human characters. The ingenious sets were designed by Jacques Lagrange at the Victorine Studios outside Nice.

Variety wrote, “Jacques Tati’s film has inventiveness, gags, warmth and a ‘poetic’ approach to satire.” Leonard Maltin declared, “Tati’s first color film is a masterpiece… Continuous flow of sight gags (including the funniest fountain you’ll ever see) makes this easygoing, nearly dialogue-less comedy a total delight.”

The film has also had an enduring impact on many other directors. At the AFI Festival in 2010, David Lynch presented a screening of Mon Oncle and announced that it was one of the films that had the greatest influence on him.

MON ONCLE screens Wednesday, October 17, at 7pm at the Royal, Town Center, and Playhouse. Click here for tickets.

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Filed Under: Abroad, Anniversary Classics, Playhouse 7, Repertory Cinema, Royal, Town Center 5

306 HOLLYWOOD Q&A’s Opening Weekend at the Royal.

October 9, 2018 by Lamb L.

306 HOLLYWOOD

https://www.youtube.com/watch?v=pi_b_VdwazU

 

Friday, 10/12:
7:50 PM – Q&A with directors Elan and Jonathan Bogarin and moderated by the Sundance Institute’s Tabitha Jackson.

Saturday, 10/13:
3:10 PM – Creative Distribution panel with directors Elan and Jonathan Bogarin and Sundance Institute’s Liz Manashil.
7:50 PM – “Cleaning Up Grief and Loss” with directors Elan and Jonathan Bogarin, Sarah Troop of Order of the Good Death, and Julie Naylon of No More Wire Hangers.

Sunday, 10/14:
3:10 PM -“End of Life” with directors Elan and Jonathan Bogarin and Betsy Trapasso of Death and the Arts.
7:50 PM – “The Soundtrack of a Life” with Sundance Institute’s Peter Golub and Composer Troy Herion.

Tuesday, 10/16:
7:50 PM – Q&A with Ari Seth Cohen of Advanced Style moderated by Abby Davis.

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Filed Under: Featured Films, Filmmaker in Person, Q&A's, Royal

THE HAPPY PRINCE Writer, Director & Actor Rupert Everett will Participate in a Q&A at the Royal.

October 3, 2018 by Lamb L.

THE HAPPY PRINCE Q&A with Rupert Everett on Sunday Oct. 14 following the 4:20 PM show at the Royal.

https://www.youtube.com/watch?v=4HmN9r1Fcr8

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Filed Under: Actor in Person, Featured Films, Films, Q&A's, Royal

TEA WITH THE DAMES will be Introduced by Margie Haber who will Participate in a post screening discussion on Saturday 9/29 After the 1:00 PM Show at the Royal.

September 26, 2018 by Lamb L.

TEA WITH THE DAMES will be introduced by Margie Haber who is known as one of Hollywood’s top acting coaches on Saturday 9/29 at the Royal after the 1:00 PM show. Margie began her career as an actor before becoming a coach.  As part of the Margie Haber Studio, Margie has helped hundreds of actors find success in the industry for over 40 years.

https://www.youtube.com/watch?v=HriuD7MsUak

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Filed Under: Films, Q&A's, Royal

LAEMMLE LIVE presents: American Youth Symphony Woodwind Quintet October 14 in Santa Monica

September 24, 2018 by Lamb L.


RSVP ON EVENTBRITE
This is a Free Event

LAEMMLE LIVE presents a special morning of music with the debut performance of the American Youth Symphony Woodwind Quintet. The American Youth Symphony inspires the future of classical music by sharing exceptional, innovative concerts based on their landmark Fellowship program for musicians in high school through doctoral music programs, for free or significantly reduced admission.  Competitively selected, the orchestra is comprised of 100 musicians who represent extraordinary talent from all over the world. By gifting the community with remarkable concerts at world-class venues, AYS remains committed to creating access and opportunity for everyone to experience the inspiration of this beautiful art form. Musicians Elizabeth LaCoste, flute; Laura Arganbright, oboe; Sérgio Coelho, clarinet; Lieza Hansen, bassoon and Maxwell Paulus, horn will perform:

Eugene Bozza: Scherzo for Woodwind Quintet, Op.48

Charles Lefebvre: Suite for Woodwind Quintet, Op. 57

Jean Francaix: Woodwind Quintet #1

Malcolm Arnold: Three Shanties for Woodwind Quintet

Paquito D’rivera: Aires Tropicales, Contradanza

In 2016, Maestro Carlos Izcaray, one of the leading conductors of his generation, became the third Music Director in the American Youth Symphony’s illustrious history. Also Music Director of the Alabama Symphony Orchestra, Maestro Izcaray has been praised by international press, winning top prizes prestigious festivals around the world and appearing with celebrated ensembles across five continents. A strong believer of supporting younger generations, Izcaray has worked extensively with the world’s top talents and leading music institutions, including his country’s own El Sistema. Throughout his career, Izcaray has shown special interest and prowess in tackling some of the most complex scores in the symphonic repertoire, while also championing the historically informed approach to works from past eras. Now in his third season with AYS, Maestro Izcaray is committed to providing a platform for new voices, while maintaining the orchestra’s celebrated tradition of training the concert artists of tomorrow, while sharing the great classical masterworks with new audiences.

A significant number of AYS alumni have joined the finest orchestras in the nation. Others enjoy successful careers in recording studios or on the faculties of prestigious schools. Los Angeles and New York-based alumni include:

HOLLYWOOD BOWL ORCHESTRA
Tim Barr, principal bass
Gregory Goodall, percussion
Barry Newton, bass
Radu Pieptea, violin
Kaila Potts, associate principal viola

LOS ANGELES CHAMBER ORCHESTRA
Maia Jasper,  violin
Armen Ksajikian, associate principal cello
Connie Kupka, violin
Damian Montano, bassoon
Searmi Park, violin
Steven Scharf, violin & personnel manager
David Washburn, principal trumpet

LOS ANGELES OPERA
Tamsen Beseke, violin
Marisa Sorajja, associate principal 2nd violin
Ryan Darke, principal trumpet
Marlow Fisher, viola
Mary Gale, clarinet
Gregory Goodall, principal timpani
Jenny Kim, horn
Daniel Kelley, horn
William May, bassoon
Jayme Miller, violin
David Stenske, associate concertmaster
Andrew Ulyate, trumpet
John Walz, principal cello
Mark Zimosky, percussion

LOS ANGELES PHILHARMONIC
Kazue Asawa-McGregor, librarian
Nicole Bush, violin
Raynor Carroll, principal percussion
Richard Elegino, viola
Jerry Epstein, viola
Barry Gold, cello
Michele Grego, bassoon
David Howard, clarinet
Matthew Howard, principal percussion
Ingrid Runde Hutman, viola
David Allen Moore, bass
Peter Rofe, bass
Arthur Royval, asst. principal viola
Brent Samuel, cello
Barry Socher, violin
Lawrence Sonderling, violin

METROPOLITAN OPERA
Kari-Jane Docter, cello

NEW YORK PHILHARMONIC
Michelle Kim, assistant concertmaster
Roger Nye, bassoon
Cynthia Phelps, principal viola
Sheryl Staples, associate concertmaster

PACIFIC SYMPHONY
Rose Corrigan, principal bassoon
Maia Jasper, violin
Marisa Sorajja, violin

American Youth Symphony
Alice Dutton: Interim Executive Director

RSVP ON EVENTBRITE
This is a Free Event
Sunday, October 14, 2018
11:00 AM
Monica Film Center

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Filed Under: Laemmle Live, News, NoHo 7, Royal, Santa Monica, Town Center 5

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