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You are here: Home / Theater Buzz / Royal

A Short Film/Thank You Note to the Director of THE MISSING PICTURE

March 21, 2014 by Lamb L.

Check out this short video essay about the Oscar nominee for Best Foreign Film, THE MISSING PICTURE. The writer essentially made a “handmade” thank you letter to the filmmaker, Rithy Panh, that gives one a good idea of what a powerful, unique movie this is.

http://www.youtube.com/watch?v=Hn4hUsM6OTs

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Filed Under: Playhouse 7, Royal

L.A. Times: “Anita Hill’s still standing 22 years later”

March 18, 2014 by Lamb L.

We’re proud to open the “enthralling and revealing” documentary ANITA, about feminist heroine Anita Hill, this Friday at the Royal, Playhouse and Town Center. (Click here for details about Q&A’s with the filmmaker.) The L.A. Times published a piece about the film on Sunday which will give you an idea of how much more there is to Ms. Hill’s story:

THE TAKEAWAY

Anita Hills’s still standing 22 years later

The law professor who testified that Supreme court nominee Clarence Thomas had sexually harassed her in the subject of a new documentary.

By Robin Abcarian

March 16, 2014

The new documentary about Anita Hill opens with a close-up of a telephone and a bizarre voice mail message:

“Good morning, Anita Hill. It’s Ginni Thomas, and I just wanted to reach across the air waves, and the years and ask you to consider something. I would love you to consider an apology sometime, and some full explanation of why you did what you did with my husband. So give it some thought, I certainly pray about this and hope one day you will help us understand why you did what you did. OK! Have a good day.”

That obnoxious request, left on Hill’s office voice mail in October 2010, is the last we hear from Ginni Thomas in “Anita: Speaking Truth to Power” by Oscar-winning director Freida Mock. The film, which opened in Los Angeles and New York on Friday, is a perfect jumping-off point for Hill’s story, as it so perfectly distills the right-wing’s fervent desire to rewrite the history of the Clarence Thomas Supreme Court hearings.

It’s been more than 22 years since the Senate Judiciary Committee heard a soft-spoken 35-year-old University of Oklahoma law professor recount graphic instances of sexual harassment at the hands of her former boss. Despite Ginni Thomas’ prayers, Hill has never backed down from her allegations.

Why would she, since she was so obviously telling the truth?

The documentary is an unabashed love letter to Hill, guaranteed to open old wounds. It examines Hill’s life in the aftermath of a spotlight she did not seek, and the positive legacy of her testimony.

At 57, Hill seems serene and happy. She teaches law at Brandeis University and is in a long-term relationship with a restaurateur named Chuck Malone, who seems crazy about her.

It’s painful to be dragged back into the past via old clips as senators try to embarrass Hill by forcing her to repeat porn names like “Long Dong Silver,” descriptions of pubic hair on Coke cans and discussions of penis size that she says she was forced to endure as Thomas’ employee at the Equal Employment Opportunity Commission.

At a long table by herself, in a blue turquoise suit, she sits calmly, without erupting or crying. When pressed about why she hadn’t come forward sooner, she seems as perplexed as some of the senators. But 20 years ago, that wasn’t exactly unusual behavior for women whose bosses made unwanted sexual advances. It still isn’t. Hiring a sexual harassment attorney is now one of the best paths to take, whereas all those years ago it wasn’t seen as normal, because it was swept under the rug as much as possible to protect the ‘reputations’ of these harassers.

No question, what the Senate hearings unleashed was dreadful for Hill (and certainly it was no picnic for Clarence Thomas, either). But it was also a watershed moment in American politics. American women looked at how the Senate treated Hill and said: This is not right.

The all-male Senate Judiciary Committee, chaired by then-Sen. Joe Biden, grilled her, impugned her honesty and forced her to repeat the most graphic insults.

“They were humiliating her by making her go over these things again and again and again,” said New Yorker reporter Jane Mayer, who appears in the film along with Jill Abramson, now the New York Times executive editor, with whom she wrote the 1994 book “Strange Justice.” (The book will leave you with no doubts about Thomas’ proclivities.)

Hill was hung out to dry by the committee’s Democrats, who really did not want to have a conversation about a black Supreme Court nominee and leader of the EEOC allegedly sexually harassing an employee. (Sen. Edward M. Kennedy, the documentary points out, was so compromised that he was played in a”Saturday Night Live” skit about the hearings by an actor with a bag over his head.)

And she was brutalized by the committee’s Republicans. The documentary shows a clip of Alan Simpson of Wyoming saying he’d gotten letters, phone calls and faxes warning him to “watch out for this woman” about “this sexual harassment crap.”

I’m glad that Mock included the powerful clip of Thomas responding to Hill’s accusations, his only meaningful appearance in the film. It is a tour de force of indignation as he tells senators he is the victim of a “high-tech lynching for uppity blacks.”

That phrase still resonates today for John Carr, an African American attorney and friend of Hill’s who testified on her behalf in the Senate. “I hate the term ‘race card,'” Carr says now. “But that’s what he did.”

Charles Ogletree, a Harvard University law professor who stepped forward to support Hill when he saw that no other high-profile black men had, also took exception to Thomas’ phrase.

“They didn’t say, ‘Hey, wait a minute. What about the legal lynching of a black woman?” Ogletree says. “They didn’t want to be appearing to go after a black man who said ‘I didn’t do it.’ And for them, the case was closed.”

A few days after Hill testified, Thomas was confirmed by the Senate, 52 to 48.

Without a trace of rancor, Hill says that when she returned to Oklahoma afterward, “Republicans tried to get the school to fire me, even though I was tenured. My dean – they tried to get him fired. They tried to close the law school. I was threatened with just about everything – death, sexual violence.”

Click here to read the rest of the piece at the L.A. Times website.

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Filed Under: Films, News, Playhouse 7, Royal, Town Center 5

ANITA Q&A’s at the Royal this Weekend

March 17, 2014 by Lamb L.

ANITA director Freida Lee Mock will participate in Q&A’s at the Royal after the 5:20 and 7:30 PM screenings on Friday and Saturday, March 28 and 29 and after the 7:30 screening on Sunday, March 30.

http://www.youtube.com/watch?v=DGrWaCCVfq0

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Filed Under: Featured Films, Q&A's, Royal

Movie and a Meal: Follow THE LUNCHBOX with a Visit to an Indian Restaurant

March 5, 2014 by Lamb L.

This scene from THE GODFATHER always makes me want Italian food. And that’s just one scene. Films in which food is a major part of the plot are a beloved genre all their own. Time will tell, but the new Indian movie THE LUNCHBOX may join the ranks of other great foodie movies like BABETTE’S FEAST, BIG NIGHT and LIKE WATER FOR CHOCOLATE. We at Laemmle Theatres humbly recommend you try preceding lunch or dinner at one of the many Indian restaurants near our theaters by taking in THE LUNCHBOX to whet your appetite. Here are some close by:

Fourteen minute walk west down Santa Monica Blvd. from the Royal: All India Cafe

Across the street from the Playhouse (where we open THE LUNCHBOX this Friday): Sitar Indian Cuisine

Two minute walk west down Ventura Blvd. from the Town Center (where we open THE LUNCHBOX this Friday): Anarbagh

Or choose one of your personal favorites. Bon appetit!

 

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Filed Under: Around Town, Featured Films, Playhouse 7, Royal, Town Center 5

ELAINE STRITCH: SHOOT ME ~ Q&A’s with the Filmmaker

March 5, 2014 by Lamb L.

ELAINE STRITCH: SHOOT ME filmmaker Chiemi Karasawa will participate in Q&A’s after the 7:40 PM screenings at the Royal on Friday and Saturday, March 7 and 8 as well as after the 5:20 screening on Saturday.

http://www.youtube.com/watch?v=-tldyvkqTqo

 

 

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Filed Under: Featured Films, Q&A's, Royal

Q&A with the Writer-Director of OMAR, the Oscar Nominee for Best Foreign Language Film

February 21, 2014 by Lamb L.

OMAR writer-director Hany Abu-Assad, producer-co-star Waleed Zuaiter and actress Leem Luban will participate in a Q&A on Sunday, February 23 after the 4:30 PM screening at the Royal.

http://www.youtube.com/watch?v=VngXAjsDzDs

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Filed Under: Featured Films, Q&A's, Royal

BEA HUSMAN: BEATIFICA Comes to NoHo 7

February 21, 2014 by Lamb L.

Join us for the NoHo 7’s first art gallery opening and the second installment of Laemmle’s ART IN THE ARTHOUSE program!  At select Laemmle Theatre locations, you’ll soon be enjoying fine works by visual artists in our lobbies and on your way to the auditorium.

BEA HUSMAN: BEATIFICA opens this coming Wednesday, February 26, 6-9pm.  To join us for the opening celebration, RSVP HERE.

This extraordinary exhibit uncovers the work of BEA HUSMAN (1915-2011), an iconoclast who translated her world travels into inspired artworks in a variety of media. Rarely exhibited during her lifetime, Husman produced art for the sheer pleasure of it, resulting in a legacy unsullied by the marketplace and a body of work that exudes joy and lyricism.

Husman, a fashion designer turned artist, discovered the Intaglio process in the 1970s and soon a printing press and metal plates for etching and engraving became part of her studio, alongside large easel, oil, and acrylic paints. In turn, this led to an interest in paper-making, and, circa 1980, Husman made her way to Kyoto, Japan for a paper-making class with DAVID HOCKNEY. Upon her return, she began utilizing both paper and print making disciplines to create breathtaking collage pieces that incorporated fabrics, string, torn sections of prints, found objects, and coarse, handmade papers.

As she matured as an artist, Husman exhibited an uncanny ability to weave together her myriad influences, including explorations of remote cultures, to create pieces of increasing sophistication.  She died in 2011 at 96. leaving  a treasure trove of never-before-seen work for the public to discover.

—————————————-
About ART IN THE ARTHOUSE:

Art in the Arthouse is the brainchild of Laemmle president, Greg Laemmle. Switching to digital poster frames conserves both paper and wall space, creating the opportunity to extend the cultural scope of our theaters to include the visual fine arts.

By reclaiming wall space throughout our theaters for the display of fine art, patrons will have a chance to bond with notable and emerging L.A. based visual artists and their work. Proceeds from the sale of art benefit the activities of the Laemmle Charitable Foundation.

 

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Filed Under: Around Town, Claremont 5, Fallbrook 7, Music Hall 3, NoHo 7, Playhouse 7, Royal, Santa Monica, Special Events, Theater Buzz, Town Center 5

Oscar Doc Shorts Q&A at the Royal

February 15, 2014 by Lamb L.

Jasmine Daghighian and Nick Reed, producers of the Oscar-nominated documentary short film THE LADY IN NUMBER 6, will participate in a Q&A after the 7:40 screening at the Royal on Sunday, February 16.

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Filed Under: Q&A's, Royal

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