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Beginning Friday, Take the Completed Expo Line to the Monica Film Center!

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Friday, May 20, 2016 is a special day in Los Angeles history. For the first time in 60 years, Angelenos can take a take a train from points east right into lovely downtown Santa Monica. No traffic, no stress about finding and paying for parking, etc. And for the first couple days, free rides and parties! 

expo

“As part of the celebrations for the opening of the Expo Line to Santa Monica on Friday, May 20, the Los Angeles County Metropolitan Transportation Authority (Metro) will offer free rides on Friday and Saturday and will hold station celebrations on Saturday, May 21.

“The free rides will be on the entire Expo Line, from 7th St/Metro Center to Downtown Santa Monica. On Friday, free rides will begin at noon and will continue until the close of service. On Saturday, May 21, the free rides will start at 4:42 a.m. in Downtown Santa Monica and at 4:45 a.m. at 7th/Metro Center and will last until the end of service around 2 a.m.

“‘We invite the public to join us on Friday and Saturday to celebrate the historic opening of the Metro Expo Line to Santa Monica,’ said Metro CEO Phillip A. Washington. ‘We encourage the community to enjoy this new light-rail line service and see for themselves how close to the beach Metro can get you.’

“The station celebrations will be from 10 a.m. to 4 p.m. at the following new stations: Downtown Santa Monica, 17th St/SMC, 26th St/Bergamot, Expo/Bundy and Palms. The Culver City Station that has been open since 2012 will be joining the celebrations. Entertainment, children’s activities, food trucks, bike valet and bike-pit stops and information booths are among the activities.”

The western-most Expo Line station at Colorado and Fourth is a leisurely ten-minute walk from our recently rebuilt Monica Film Center. This week we shot this time-lapse video of the walk, which ends with the smiling, welcoming faces of Monicas managers Caitlyn and Tom.

https://www.youtube.com/watch?v=iVg1pCmsZ-I

Come catch a flick!

Also, Supervisor Sheila Kuhl posted this cute video extolling the Expo Line’s virtues:

https://www.youtube.com/watch?v=fNgl8YjbLpA

Oscar-Nominated director of THE IDOL in Person for Q&A’s in Santa Monica and Beverly Hills.

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hany-2190-3THE IDOL director Hany Abu-Assad will participate in Q&As following the 5:00 and 7:40 PM shows and introduce the 10:15 PM show on Friday, May 27 at the Monica Film Center. He will also do Q&As following the 4:30 and 7:10 PM shows in at the Fine Arts on Saturday, May 28th.

https://www.youtube.com/watch?v=xF0Fh3WU5LI

Laemmle’s Art in the Arthouse Presents “Archiving Hesse” at the Monica Film Center

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Recently, there’s been a lot of commotion surrounding the seminal artist EVA HESSE, including a recent exhibit at the Whitney, a current show in DTLA at Hauser Wirth & Schimmel, and of course, the opening of the film EVA HESSE at four of our venues. Directed by Marcie Begleiter and produced by Karen Shapiro, the documentary is the first feature-length examination of Hesse’s life and work.

Barbara Brown_edit_lr
Barbara Brown, photographer

In addition to all this, our fine arts program, Art in the Arthouse, has jumped into the fray with ARCHIVING HESSE an exhibit at the Monica that includes photography featured in the film.  It showcases the work of photographer and raconteur, BARBARA BROWN, who, from 1962-1965, chronicled Hesse and the other luminaries that made up the Canal St. scene of New York’s Lower Eastside.

Unfortunately, most of Brown’s negatives were destroyed in a bizarre train fire and eternally lost. But we are pleased to present some surviving photos that capture the artist in particularly revealing moments. Interwoven are two images from Hesse’s 1968 solo exhibition at the Fishbach Gallery taken by NORMAN GOLDMAN.

The Archiving Hesse photo exhibit opens this Thurs. night at the Monica Film Center (where the documentary will be showing) and can be enjoyed through June.

About Hesse:

In 1938, at three years old, EVA HESSE was put on the kindertransport to escape Nazi Germany. She arrived in New York to reunite with her family, but seven years later lost her mother to suicide.

Hesse went on to study art and design at Yale University.  As an artist, she had a unique ability to alchemize her personal tragedies into searing and poetic works. Based mainly in New York, Hesse and her husband Tom Doyle briefly relocated their studio to Kettwig Germany where she transitioned from painter to sculptor.

“Stop [thinking] and just do!”  This strong note circa 1965 from her mentor Sol LeWitt opened Hesse up to an artistic stream of sculptures, paintings, drawings, and happenings. She incorporated industrial materials such as cord, wire, yarn, and latex to create magnificent walls sculptures that commanded attention. Hesse soon became a major figure in the post AbEx landscape movement.

Tragically, Hesse died of brain cancer at age 34. She lives on in her works, which are displayed in museums worldwide,

OUR LAST TANGO opens Friday in Santa Monica and Pasadena! Enter to win the Soundtrack on CD!

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OUR LAST TANGO is a story of love between the two most famous dancers in tango’s history. And the story of their tremendous love of tango. María Nieves Rego (81) and Juan Carlos Copes (84) met when they were 14 and 17, and they danced together for nearly fifty years.

In OUR LAST TANGO Juan and María tell their story to a group of young tango dancers and choreographers from Buenos Aires, who transform the most beautiful, moving and dramatic moments of Juan and Maria’s lives into incredible tango-choreographies.

OUR LAST TANGO opens Friday, April 22nd at the Monica Film Center in Santa Monica and the Playhouse 7 in Pasadena.

Enter to Win the Soundtrack

The film’s soundtrack features original music by Luis Borda, Sexteto Mayor and Gerd Baumann. We’re giving away three soundtrack CDs! Enter to win using the form below!

OUR LAST TANGO CD Soundtrack Giveaway

Trailer

https://www.youtube.com/watch?v=GmnY22lNr6M

AFERIM! Return Engagement at the Fine Arts Starts Friday with Special Screenings at the NoHo, Playhouse, Monica Film Center and Claremont 5 April 11-14

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Eastern Europe, 1835. Two riders cross a barren landscape in the middle of Wallachia. They are the gendarme Costandin and his son. Together they are searching for a gypsy slave who has run away from his nobleman master and is suspected of having an affair with the noble’s wife. While the unflappable Costandin comments on every situation with a cheery aphorism, his son takes a more contemplative view of the world.

Radu Jude’s brilliant third feature AFERIM! has been aptly compared to films as diverse as THE SEARCHERS, THE LAST DETAIL and PULP FICTION (the latter for its rambling, coarse and endlessly entertaining dialogue), but the film is ultimately a moving parable about late-feudal Europe developed from historical documents and songs: its power structures and hierarchies, people’s ideas of themselves and others, interaction with minorities and the resulting conflicts. A Balkan Western in black-and-white that brings the cacophony of the times strikingly to life and explores the thematic arcs that stretch into the present.

Cineuropa interviewed Mr. Jude on the occasion of his film’s inclusion at the Berlin Film Festival:

Cineuropa: These days, filmmakers prefer to shoot their films digitally; what persuaded you to return to film and black and white?


Radu Jude: DoP Marius Panduru and I decided that the film should be shot in black and white out of a wish to highlight the historical re-enactment artifice: we wanted to make the audience understand from the very beginning that what they are seeing is a subjective re-enactment, one carefully played out, but still only a re-enactment. We therefore tested different methods: a digital camera, one colour film and two types of black-and-white film. Comparing them, we concluded that the black-and-white film (namely, Kodak Double-X) was the most expressive and the one best suited for our project.

Information about Gypsy slavery was removed from the historical accounts published during the Romanian communist regime. What difficulties did you encounter in documenting the year 1835 and this particular topic?


It’s not really a subject lacking in documentation. There are several Rroma histories, studies and archives that also depict their slavery. Besides, our main historical consultant, Constanţa Vintilă-Ghiţulescu, helped us immensely by suggesting more titles of interest. I cannot say we faced major hurdles, but the past is obviously lost, and we can access only limited information. Starting from there, all one can do is try to create a sufficiently accurate image of the past.

Naturally, the biggest risk – and we have warned the audience of this risk through the way the film is made – is to forget that we are always involved in a process of interpretation. We interpret everything, starting from the reality around us that we access through our senses and brain, so of course we pass our historical reality through the same process. In this respect, I recommend the video installation created by Anca Benera and Arnold Estefan, Pacta sunt servanda (http://www.arnoldestefan.ro/art-projects/-pacta-sunt-servanda/). The installation shows how the same historical event, the Trianon peace treaty, is presented differently in history books from Hungary and Romania. This goes to show that when we speak of the past, we in fact speak of our perspective of the past. I hope this view is obvious in my film and that the vigilant cinemagoer will take note of it.

The events in the film take place 180 years ago, but many of the characters’ remarks are relevant to the present day. Is your film a satire of the present?


I truly believe what Johan Huizinga said: “We analyse every age for the sake of the promises it contains for the next age.” My film is about the relationship between the past and the present – or, even better rephrased, about the relationship of the present with the past.

The film’s conversations are peppered with sayings and aphorisms taken from the works of a number of Romanian and foreign authors from those times, whom you list in the closing credits. Why pay so much attention to the folkloric culture of the era?


I started by reading works from the 19th century in order to familiarise myself with the language and mentalities of those times (which, I think, are the true theme of the film). At one point, I found in Iordache Golescu’s works some beautiful sayings that were perfectly appropriate for one of the sequences in Aferim!. I used them in the screenplay, which I wrote together with Florin Lăzărescu, and then we found others that we used, gradually “stuffing” the story with quotes from the literature of those times. This was also a declaration of love for the Romanian language and a way to stress the “artificial construct” characteristic of the film.

https://vimeo.com/135831249

LOOK AT US NOW, MOTHER! Q&A’s with the Filmmaker in Santa Monica and Encino

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LOOK AT US NOW, MOTHER! is a humorous, moving, intimate and courageous film following the transformation of an abusive mother and tumultuous mother-daughter relationship to that of acceptance and love as we follow the personal story of the filmmaker.Most screenings will feature Q&A’s. The complete schedule:

Monica Film Center:

Friday, April 8, 7:20 pm Dr. Mark Goulston, psychiatrist and author;

Saturday, April 9, 7:20 pm: Shirley Hirschberg, social worker, Beth Chayim Chadishim;

Sunday, April 10, 7:20 pm: Gayle Kirschenbaum, director-producer-subject & Rabbi David Wolpe, spiritual leader, Sinai Temple;

Monday, April 11, 7:20 pm: Shayna Lester, marriage and family therapist;

Tuesday, April 12, 4:30 and 7:20 pm: Gayle Kirschenbaum;

Wednesday, April 13, 7:20 pm: Sylvia Thompson, president, National Alliance for Mental Illness (NAMI) – Westside L.A.;

Thursday, April 14, 7:20 pm: Sylvia Thompson.

Town Center 5:

Saturday, April 9, 5:00 pm: Walter Jacobson, therapist and life coach;

Sunday, April 10, 5:00 pm: Gayle Kirschenbaum & Rosalyn Kahn, author & public speaker;

Sunday, April 10, 7:30 pm: Dr. Judy Rosenberg, founder, Psychological Healing Center;

Monday, April 11, 2:40, 5 and 7:30 pm: Gayle Kirschenbaum;

Tuesday, April 12, 2:40 pm: Gayle Kirschenbaum.

Thursday, April l4, 2:40 pm: Rosalyn Kahn.

https://vimeo.com/119594942

Culture Vulture Q2 2016: Opera, Dance, Theater and More, now also in Santa Monica!

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Prepare for a wealth of high art this April, May and June because we’ll be projecting some excellent stuff on screens at our Claremont, Beverly Hills, Encino, Pasadena and now Santa Monica locations as part of our ongoing Culture Vulture series.

We begin April with a new production The Damnation of Faust, Berlioz’s légende dramatique. Director Alvis Hermanis grapples with the complexity of bringing Faust to modern audiences, asking us to identify the Faust of our times. Seeing a modern equivalent to Faust’s intellectual rigor in the fascinating mind of Stephen Hawking, Hermanis sets Berlioz’s work on the futuristic eve of mankind’s first settlement on Mars.

https://www.youtube.com/watch?v=mycqlUgxkjI

Next we’ll have the Bolshoi Ballet’s The Taming of the Shrew. Many suitors dream of marrying the lovely, docile Bianca, but her father will not let anyone marry her before her elder sister, the ill-tempered shrew Katharina, is herself married. French choreographer Jean-Christophe Maillot lands a coup with his adaptation of Shakespeare’s comedy tailored specifically to the Bolshoi dancers, and achieves a magnetic two hours of breathtaking, nonstop dance unlike any other, portraying the Bolshoi’s audacity and energy in a completely new way.

https://www.youtube.com/watch?v=MJTAMhtHZC4

Subsequent to that: Oscar Wilde’s much-loved masterpiece The Importance of Being Earnest is one of the most enduring plays in British theatre. Performed shortly before Wilde fell foul of society’s unbending condemnation, this farcical comedy fizzes with wit as Wilde delights in debunking social pretensions and piercing the hypocrisy and pomposity of the Victorian Era. Recorded live from the Vaudeville Theatre on 8 October 2015.

https://www.youtube.com/watch?v=z4UVgvzpUnU&app=desktop

After that we will screen Florence and the Uffizi Gallery, a multi-dimensional journey through the city that was the cradle of the Italian Renaissance. Get an exclusive tour through the most beautiful and representative works of art of the period from Michelangelo and Brunelleschi, to Leonardo and Botticelli, with a detailed central chapter dedicated to the treasure house containing their masterpieces: the Uffizi Gallery.

https://www.youtube.com/watch?v=bIH9eqtzFM4

We’ll start May with Musorgsky’s Boris Godunov. Following the death of the Tsarevich Dmitry, Boris Godunov is persuaded to become Tsar of Russia. Boris, however, seems plagued by guilt. A greedy aristocrat and a restless young monk each plot to turn Boris’s fears to their advantage. Musorgsky based Boris on the play of the same name by Alexander Pushkin, published in 1831 but the censorial ban on which was only lifted in 1866. Pushkin’s play was loosely inspired by the true story of Boris Godunov, Tsar of Russia from 1598 to 1605.

https://www.youtube.com/watch?v=tQxDhVNJxJU

 

Then we are excited to host screenings of a dance/sculpture/music hybrid, Journey in Sensuality: Anna Halprin & Rodin. Auguste Rodin said, “the world will only be happy when all people have the souls of artists.” After the international success of Breath Made Visible, Journey in Sensuality brings new insight into Halprin’s influential artistic work. Auguste Rodin’s sculptures and Halprin’s creative process come together with the music of composer Fred Frith in this poetic film of dances in nature.

https://vimeo.com/104396701

Based on the calls and email we’ve been getting, our most hotly anticipated Culture Vulture screening is Les Liaison Dangereuses. Choderlos de Laclos’ 1782 novel of sex, intrigue and betrayal in pre-revolutionary France follows former lovers the Marquise de Merteuil and Vicomte de Valmont, who now compete in games of seduction and revenge. Merteuil incites Valmont to corrupt the innocent Cecile de Volanges before her wedding night but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel. While these merciless aristocrats toy with others’ hearts and reputations, their own may prove more fragile than they supposed.

https://www.youtube.com/watch?v=SY7l51L1eQM

After that we’ll have Goya: Visions of Flesh and Blood. Heir to Velázquez, hero to Picasso, not only a brilliant observer of everyday life and Spain’s troubled past, Francisco Goya was a gifted portrait painter and social commentator par excellence. Discover Spain’s celebrated artist based on the National Gallery’s must-see exhibition Goya: The Portraits, originally captured as part of the acclaimed Exhibition on Screen series.

https://player.vimeo.com/video/154599374

At the end of May we’ll screen Concerto: A Beethoven Journey. Filmmaker Phil Grabsky is renowned for bringing some of the world’s most important art exhibitions to cinemas. Also famous for his In Search of… classical music documentaries, he has now returned his lens to the world of classical music with Concerto: A Beethoven Journey. Filmed over four years, Grabsky followed leading concert pianist Leif Ove Andsnes’s attempt to understand and interpret one of the greatest sets of works for piano ever written: Beethoven’s five piano concertos.

https://www.youtube.com/watch?time_continue=74&v=6u4hdY3ATRk

As we do at the beginning of each month, we’ll start June with an opera, in this Turandot. No man shall ever possess her – the Chinese princess Turandot sets three riddles for every man that comes to woo her. So far none have been able to solve the riddles, and have paid with their heads. Then an unknown prince achieves the impossible: he correctly answers all three questions. But Turandot is still unwilling to surrender to him. So the Prince is ready to lay down his life if she can find out his name by morning. Throughout the night, no one may sleep: everyone must try to discover his name…

https://www.youtube.com/watch?v=-m4aMgPdnO0&feature=youtu.be

We follow opera with dance: A sensational new dance event from the acclaimed choreographer Matthew Bourne and his Dance Company New Adventures, The Car Man is loosely based on Bizet’s popular opera (CARMEN) and has one of the most thrilling and instantly recognizable scores in classical music, brilliantly arranged by Terry Davies. The familiar 19th century Spanish cigarette factory becomes a greasy garage-diner in 1960’s America where the dreams and passions of a small-town are shattered by the arrival of a handsome stranger.

https://www.youtube.com/watch?list=PL545D14C00BA0B1A2&v=tUSY3MtAvSM

The summer solstice finds us in London’s West End for Hangmen. In his small pub in the northern English town of Oldham, Harry (David Morrissey, The Walking Dead, State of Play) is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd (Andy Nyman, Peaky Blinders, Death at a Funeral) and the peculiar Mooney (Johnny Flynn, Clouds of Sils Maria) lurk with very different motives for their visit.

https://www.youtube.com/watch?v=jcpcMeJ-1Vc

We’ll end the first half of 2016 with one of the great masters: Leonardo Da Vinci: The Genius in Milan. Based on “Leonardo 1452- 1519,” one of the most decisive exhibitions ever to be held on Leonardo and the result of six years work by leading experts, Pietro Marani and M. Teresa Fiorio, divided into 12 sections, retracing with scientific rigor the multiple paths traveled by the mind of the genius: the foundation of drawing, the role of nature and science, comparison between the arts, reflection on the ancients, the utopian projects, anatomy and mechanics, the unity of knowledge, images of the divine, and more.

https://www.youtube.com/watch?v=d2JGljDx3tY

Q&A’s with LOLO director, co-writer, and star Julie Delpy Following the 7:10PM Screenings on March 25th in Santa Monica and March 26th in Beverly Hills!

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Julie Delpy, director, star, and co-writer of LOLO, will participate in Q&A’s after the following screenings of her new film:

  • Friday, March 25th after the 7:10PM screening at the Monica Film Center in Santa Monica.
  • Saturday, March 26th after the 7:10PM screening at the Music Hall 3 in Beverly Hills.

Don’t miss this! Click here to purchase tickets.

delpy
In LOLO, Julie Delpy plays Violette, a 40-year-old workaholic with a career in the fashion industry who falls for a provincial computer geek, Jean-Rene (Dany Boon), while on a spa retreat with her best friend. But Jean-Rene faces a major challenge: he must win the trust and respect of Violette’s teenage son, Lolo (Vincent Lacoste), who is determined to wreak havoc on the couple’s fledgling relationship and remain his mother’s favorite.

LOLO opens Friday, March 25th in Beverly Hills, Santa Monica, Pasadena, and North Hollywood.

https://www.youtube.com/watch?v=EpQiWG5O-zw