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South by Southwest Grand Jury Prize-Winning Documentary TOWER Opens October 14 at the Royal and Playhouse.

September 28, 2016 by Lamb L.

On August 1st, 1966, a sniper rode the elevator to the top floor of the University of Texas Tower and opened fire, holding the campus hostage for 96 minutes. When the gunshots were finally silenced, the toll included 16 dead, three dozen wounded, and a shaken nation left trying to understand. Combining archival footage with rotoscopic animation in a dynamic, never-before-seen way, TOWER reveals the action-packed untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others.

TOWER explores this untold history through the first-person stories of seven specific characters: two students who were shot that day, the two police officers who ended the siege, two civilians who inserted themselves into the story to provide aid to victims and police, and the radio reporter who broadcast live from the scene for more than an hour and a half, and whose broadcast was picked up nationally, bringing the events in Austin to listeners around the nation.

https://www.youtube.com/watch?v=GTzNkfgM1vE

Director’s Statement:

“It’s impossible to separate the University of Texas tower shootings, America’s first mass school shooting, from the current spate of school shootings that seem to happen now with increasing regularity. With the 50th anniversary of America’s first school shooting approaching, I realized that the time to explore this untold history was now – and that through a creative approach, aimed at young audiences we could aim to explore themes of mental health, guns, public policy and media response to public tragedies all through the nuanced and personal lens of first hand accounts.

TOWER. Image courtesy of Kino Lorber Films.
TOWER. Image courtesy of Kino Lorber Films.

“Growing up in Texas, I’ve had curiosity about the Tower shootings since my 7th grade Texas history teacher recounted her experiences as a student on campus that terrible day. Her firsthand visceral account stuck with me for over 35 years and it is still the direct inspiration for my approach. I realized that through the visually exciting medium of rotoscopic animation, there was a dynamic opportunity to turn this history on its head. By focusing solely on witness accounts, we could seamlessly weave re-created animated memories of those who were there with the ample archival footage from the day to create an action-packed telling that was both immediate and emotionally charged.

TOWER. Image courtesy of Kino Lorber Films.
TOWER. Image courtesy of Kino Lorber Films.

“Our approach is unique for a documentary, as is the structure of TOWER. The first hour of the film is set entirely in 1966, the action performed by a cast of young actors, based on the actual interviews of living survivors – these actions and interviews are then animated. It is late in the telling when one by one, the actual survivors are revealed in vibrant moments that expose the breadth of their humanity through the 50-year window of history. It’s a creative opportunity that keeps the audience guessing about who survived and who did not. Through this approach, we can engage millennials in in this relevant, untold history, at a time when active shooters on school campuses and other public places has become almost commonplace. Working with the survivors of this terrible day and reframing this history has been my greatest professional privilege.”

TOWER. Image courtesy of Kino Lorber Films.
TOWER. Image courtesy of Kino Lorber Films.

TOWER director-producer-editor Keith Maitland is the Emmy-nominated Director of THE EYES OF ME, a year-in-the-life of four blind teens, which broadcast on PBS’s Independent Lens and received a Barbara Jordan Media Award. Director of documentary features, commercials, and TV series, his credits also include seven seasons with NBC’s LAW & ORDER as an AD. Keith is currently developing narrative and documentary projects, and leading filmmaking workshops for incarcerated teens. He is a graduate of The University of Texas.

 

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Filed Under: Featured Post, Films, Playhouse 7, Royal

Celebrate Art House Theater Day Saturday, September 24th with Discounted Tickets to Select Art House Films!

September 22, 2016 by Lamb L.

Art House Theater Day PosterSaturday, September 24th is Art House Theater Day! It’s a day to recognize the contributions of film and filmmakers, staff and projectionists, and fellow brick and mortar theaters dedicated to providing access to the best cinematic experience.

Most importantly, it’s a day to thank our patrons for their year-round support. As a thank you, we’re offering a ticket discount to select art house films! If you have a friend that’s never been to an art house, this is the perfect day to bring them along for a unique movie-going adventure.

Enter the promo code ARTHOUSEDAY when you buy tickets to Saturday screenings of the films listed below! Discounts are available on laemmle.com only.

Tickets for showtimes before 6PM are $6 for Adults and Seniors and $4 for Laemmle Premiere Card Holders. General admission is normally $9.

Shows after 6PM are $10 for Adults, $6 for Seniors, and $8 for Premiere Card Holders. General admission is normally $12.

Eligible Films:

THE LOVERS AND THE DESPOT is a stranger-than-fiction documentary about South Korean filmmaker Shin Sang-ok and actress Choi Eun-hee, who were kidnapped by Kim Jong-il and forced to produce 17 films. Playing at the Playhouse 7, NoHo 7, and Royal Theatre. Click here for tickets.

A rivalry between two brothers reaches a fever pitch during a charity swim competition in the romantic comedy, MY BLIND BROTHER. Jenny Slate, Zoe Kazan, Adam Scott, and Nick Kroll star. Playing at the Monica Film Center, Playhouse 7, Town Center. Click here for tickets.

TANNA is set in the South Pacific where a young girl from one of the last traditional tribes falls in love with her chief’s grandson. When an intertribal war escalates, she is unknowingly betrothed as part of a peace deal. Playing at the Playhouse 7 and Royal Theatre. Click here for tickets.

Australian revenge comedy-drama THE DRESSMAKER stars Kate Winslet, Judy Davis, Hugo Weaving, and Liam Hemsworth. Playing at the Playhouse 7 and Town Center. Click here for tickets.

View the trailers for all four films:

For more about Art House Theater Day, visit: http://www.arthousetheaterday.org

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Filed Under: News, NoHo 7, Playhouse 7, Royal, Santa Monica, Town Center 5

Begin October Immersed in Chabrol 5 x 5, Coming Soon to the Royal

September 15, 2016 by Lamb L.

Beginning September 30th at the Royal we are pleased to feature Chabrol 5 x 5, a series five of Claude Chabrol‘s (1930-2010) best: Betty, The Swindle, Torment, Color of Lies and Night Cap. A founding father of French New Wave cinema, Chabrol’s fascination with genre films, and the detective drama in particular, fueled a lengthy and celebrated string of thrillers, which explored the human heart under extreme emotional duress. Chabrol began as a contributor to the celebrated film magazine Cahiers du Cinema alongside such legends as Francois Truffaut and Jean-Luc Godard before launching his directorial career in 1957. He quickly established himself as a versatile filmmaker whose innate understanding of genre tropes informed the complex triangular relationships at the center of many of his films, which frequently served as a prism through which commentary on class conflict could be obliquely addressed. The talent he displayed in depicting these dark deeds, as well as his status among the pantheon of French New Wave cinema, underscored his significance as one of his native country’s most prolific and wickedly gifted craftsmen.

Showtimes change daily. Click on the date for that day’s schedule: 9/30, 10/1, 10/2, 10/3, 10/4, 10/5, 10/6.

Betty: Alone and drunk, Betty, is led to a Paris restaurant by a stranger. Here she meets an older woman, Laure, with whom she strikes up an instant rapport. The two women seem to have suffered the same lot in their lives. Laure takes Betty back to her hotel and helps to cure the young woman of her depression and alcoholism. Little by little, Betty pieces together her recent history and realizes that perhaps her life is not worth living. Then she meets Mario (Jean-Francoise Garreaud), Laure’s lover.  betty
The Swindle: Betty and Victor tour quietly around France in their motor home living safely on part-time swindles…until they become involved in a scam with high stakes and international implications. Chabrol’s 50th film is a deft and entertaining thriller. “A work of superb yet unpretentious film craftsmanship. An unalloyed pleasure, adult sophisticated.” (Kevin Thomas, Los Angeles Times)  swindle_the
Torment: Paul (François Cluzet) has just bought a charming waterfront hotel in the heart of France. In debt for the next ten years, he sets to work with his beautiful new wife, Nelly (Emmanuelle Béart). The life of the young couple resembles a dream come true until Paul’s suspicions and jealousy get the best of him. His increasing obsession turns into madness that ends in a tragedy. torment
 Color of Lies: In a little village in Brittany, a 10-year-old girl is found murdered. René, an artist by profession and the girl’s art teacher, is the last person to have seen her and he is immediately questioned by the police inspector in charge of the inquiry. In this little provincial village where everyone knows one another, René soon becomes the primary suspect in the eyes of his neighbors. The suspicion threatens to destroy his life and marriage. “A gentle, but powerful psychological thriller.” (Michael Thomson, BBC.com) coloroflies
Night Cap: Chabrol’s taut thriller stars Isabelle Huppert as the villainous spider at the centre of an intricate and murderous web of deception. Huppert plays Mika, wife of celebrated pianist Andre Polonski (Jacques Dutronc) and stepmother to his son, Guillaume, whose mother died in a car wreck on his sixth birthday. Their lives are interrupted by the unexpected arrival of Jeanne (Anna Mouglalis), a young woman who has learned that she was almost switched at birth with Guillaume whilst in hospital. Also a pianist, Jeanne harbors a suspicion that she may be Andre’s daughter. Andre undertakes to continue her piano tuition, but, on entering the Polonski family, Jeanne begins to notice the icily controlled Mika behaving strangely. Her suspicions aroused, Jeanne begins the dangerous task of unraveling Mika’s dark past of secrets and lies…
nightcapbillboard_95ed65b2-e939-e411-ad7c-d4ae527c3b65

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Filed Under: Featured Post, Films, Repertory Cinema, Royal

KATE PLAYS CHRISTINE Filmmaker in Person Opening Weekend at the NoHo 7.

September 13, 2016 by Lamb L.

A gripping, nonfiction psychological thriller, Robert Greene’s KATE PLAYS CHRISTINE follows actress Kate Lyn Sheil (House of Cards, The Girlfriend Experience, LISTEN UP PHILIP) as she prepares for her next role: playing Christine Chubbuck, a Florida newscaster who committed suicide live on-air in 1974. As Kate investigates Chubbuck’s story (long rumored to be the inspiration for the classic Hollywood film NETWORK), uncovering new clues and information, she becomes increasingly obsessed with her subject. Winner of a Special Jury Prize at the Sundance Film Festival, KATE PLAYS CHRISTINE is a cinematic mystery that forces us to question everything we see and everything we’re led to believe.

KATE PLAYS CHRISTINE filmmaker Robert Greene will participate in Q&A’s after the 7 PM screenings at the NoHo 7 on Friday and Saturday, September 16 and 17. The Friday Q&A will be moderated by Sundance Documentary Film Program Director Tabitha Jackson. The Saturday Q&A will be moderated by filmmaker Jeff Malmberg (MARWENCOL) and will include Keegan DeWitt, who composed the music for KATE PLAYS CHRISTINE . These Q&A’s are sponsored by the Murray Center for Documentary Journalism.

uofmissouri_logo

https://vimeo.com/174542987

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Filed Under: Featured Films, Filmmaker in Person, NoHo 7, Q&A's

Fantastic Female-Centric Films from All Over the World this Fall at Laemmle Theatres: FATIMA, CAMERAPERSON, AS I OPEN MY EYES, SAND STORM, THE EAGLE HUNTRESS.

September 8, 2016 by Lamb L.

Two months from today we Americans might, finally, elect our very first female President, so it’s appropriate in the weeks leading up to that day we will be screening a series of excellent movies by and about girls and women filmed and set in places as diverse as the Negev Desert in Israel, Lyon, France, Mongolia, Tunisia and the USA.

First up is FATIMA, which we open September 16 at the Royal. The title character lives in Lyon with two daughters: fifteen-year-old Souad, a teenager in revolt, and 18-year-old Nesrine, who is starting medical school. Fatima speaks French poorly and is constantly frustrated by her daily interactions with her daughters. Her pride and joy, they are also a source of worry. While recovering from a fall, Fatima begins to write to her daughters in Arabic thoughts she has never been able to express in French. Writing in the New York Times, Stephen Holden called it “a small miracle of a film.” In the Hollywood Reporter, Leslie Felperin wrote that “FATIMA offers a gentle, affecting celebration of the fortitude and intelligence of an Algerian cleaning lady struggling to raise her two daughters in contemporary France.” The film won the Cesars Awards for Best Film and Best Adapted Screenplay and was nominated for Best Actress this year.

https://www.youtube.com/watch?v=q9Gbm8vfkkk

The next week, also at the Royal, we’ll open the gorgeous documentary CAMERAPERSON. Look through the lens of master American documentary cinematographer Kirsten Johnson (“Darfur Now,” ‘The Invisible War,” “Fahrenheit 9/11,” “Citizenfour”) at a Brooklyn boxing match; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into the film, creating a tapestry of footage collected over Johnson’s 25-year career. Through a series of juxtapositions, she explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the interaction of reality and crafted narrative. “Cinematographer Kirsten Johnson delivers a uniquely insightful memoir-cum-critical-treatise on the nature and ethics of her craft.” (Nick Schager, Variety) “Surprisingly emotional and heartfelt … CAMERAPERSON is a stunning achievement…makes a strong argument to assert the person behind the camera – who they are, how they live, and how they interact with others as a crucial focal point in the process of filmmaking.” (Katie Walsh, The Playlist)

https://vimeo.com/179496166

On October 7th we’ll open AS I OPEN MY EYES at the Royal and Playhouse. The film depicts the clash between culture and family as seen through the eyes of a young Tunisian woman balancing the traditional expectations of her family with her creative life as the singer in a politically charged rock band. Director Leyla Bouzid’s musical feature debut offers a nuanced portrait of the individual implications of the incipient Arab Spring. “Like so many of the finest portraits of real life political events, the director has cleverly kept the story small, while hinting at a much bigger picture…Bouzid has joined the ranks Arab female filmmakers worth keeping tabs on.” (Kaleem Aftab, indieWIRE) “Leyla Bouzid displays considerable talent for dramatizing how young people eroticize peril and risk due to a lack of experience.” (Chuck Bowen, Slant Magazine)

https://www.youtube.com/watch?v=Ws-yrRADTZg

Also on October 7 at the Royal and Playhouse we’ll begin screening SAND STORM. Set in a Bedouin village in Israel, the movie follows a mother and daughter trapped by their community’s social norms. As Jalila, a 42-year-old Bedouin woman, must host her husband’s marriage to a second, younger woman, she uncovers her daughter’s affair with a boy from her university — a liaison that’s both forbidden and could shame the family. A moving film about two generations of Arab woman negotiating their identities and desires, SAND STORM is at its core a powerful story of resistance and female empowerment. “Filmmaker Elite Zexer…quickly immers[es] us in her Bedouin village setting and deftly manipulating our emotions so that our sympathies are torn and turned on a dime. Building on her award-winning short “Tasnim” – whose character here is minor but, in keeping with the film’s complexity, hints at more than one possible future – Zexer’s first feature deservedly took home the World Cinema Dramatic prize at Sundance earlier this year.” (Amber Wilkinson, Eye for Film) “One of the most-admired films at this year’s Sundance…a lovely, deeply affecting film.” (Bilge Ebiri, New York Magazine)

https://www.youtube.com/watch?v=Gfzr3QAfI8s

And, ending the year on a high note, a film you can bring young daughters, granddaughters and nieces (and their male counterparts) to, THE EAGLE HUNTRESS. The film follows Aisholpan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle hunter, and rises to the pinnacle of a tradition that has been handed down from father to son for centuries. Set against the breathtaking expanse of the Mongolian steppe, the film features some of the most awe-inspiring cinematography ever captured in a documentary, giving this tale of a young girl’s quest the force of an epic narrative film. Narrated by Daisy Ridley, who played the heroine in “Star Wars: the Force Awakens”) “Aisholpan offers a real-life, profoundly inspiring testament to disregard age-old societal constraints and forge ahead with your passion.” (Jordan Raup, The Film Stage)

https://www.youtube.com/watch?v=Vfi5JS6HTH0

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Filed Under: Featured Films, Featured Post, Films, Playhouse 7, Royal, Town Center 5

Rosamond Purcell: An Art That Nature Makes – Photo Exhibit + Doc

September 3, 2016 by Lamb L.

It’s the majesty of the weird … the contemplation of the ordinary.
– Director Erroll Morris

An Art in the Arthouse exclusive! We are currently exhibiting the acclaimed work of master photographer ROSAMOND PURCELL.  Recently called “our greatest living 17th Century photographer” by the New York Times, Purcell’s  photos are on display upstairs at the Monica Film Center’s mezzanine lounge.  They can be viewed in conjunction with the documentary film about the artist: AN ART THAT NATURE MAKES.  Don’t miss out on this rare chance to view the film and the art at the same time.  All works are for sale. Proceeds benefit the Laemmle Foundation.

MM7385_060330_00048 - IbisAbout the Exhibit:

As a fledgling photographer, Rosamond Purcell wasn’t quite satisfied with capturing people; she shifted her lens early on to uncover the secret lives of the objects that surround us.

Many of the photographs featured in the recently released documentary by Molly Bernstein,  An Art That Nature Makes, are currently included in an exhibit at the Monica Film Center. Her stunning images draw from Purcell’s interest in natural history collections. Works like “Peter’s Teeth” from the book Finders, Keepers and “Snowy Egret” from Egg & Nest explore the essence of organic material, telling its story through its decay.

20140504_6368

The often morbid nature of Purcell’s subject matter is pair by the striking beauty of her images. This duality with in her work is encapsulating to view in person.

As a pioneer of the lost and forgotten, she breathes new life into objects, immortalizing their history and transcending their place in time.

Purcell has a way of elevating the mundane into the extraordinary. Her unique compositions and tone – echo master still life painters of 1600’s Northern Europe such as Jan Fyt and Pieter Claesz, taking photography to a level of fine art that is rarely experienced.
DiceA

The New York Times recently stated that Purcell is “our greatest living 17th century photographer.” After examining her ever-growing oeuvre, one might be tempted to make the case for the 21st century as well.

Take this wonderful opportunity to see the film at the Monica Film Center and view her art in person. They’re not to be missed!

   – Lili Abdel-Ghany, Curator

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Filed Under: Around Town, Art in the Arthouse, Music Hall 3, News, Royal, Santa Monica

It’s TREKTEMBER Every Throwback Thursday in September at the Laemmle NoHo!

September 1, 2016 by Lamb L.

Join Laemmle and  Eat|See|Hear for TREKTEMBER a full month of Star Trek awesomeness at the NoHo 7 in North Hollywood!

Every Thursday in September our Throwback Thursday (#TBT) series presents our favorite Star Trek films, including STAR TREK II: THE WRATH OF KHAN, STAR TREK III: THE SEARCH FOR SPOCK, and STAR TREK IV: THE VOYAGE HOME.

Plus, we’re screening the new Leonard Nimoy doc, FOR THE LOVE OF SPOCK, on 9/8 with special guest Adam Nimoy.

It all starts Thursday, September 1st with the cult classic homage to Star Trek, GALAXY QUEST! For tickets and our full #TBT schedule, visit laemmle.com/tbt!

tbt-stgala

September 1: GALAXY QUEST

For four years, the courageous crew of the NSEA Protector donned their uniforms and set out on thrilling and often dangerous missions in space – then their series was canceled. Twenty years later, the five stars of the classic ’70s series “Galaxy Quest” are still in costume, making appearances at sci-fi conventions for legions of die-hard fans. A group of aliens who have mistaken intercepted television transmissions for “historical documents” arrive at a convention and whisk “Commander Peter Quincy Taggart” and his crew into space to help them in their all-too-real war against a deadly adversary. Get tickets.

tbt-stloSeptember 8: FOR THE LOVE OF SPOCK

For the Love of Spock celebrates the 50th Anniversary of Star Trek through a personal, intimate look at the life and career of Leonard Nimoy, and his alter-ego, Mr. Spock, as told by his son, Adam Nimoy. FOR THE LOVE OF SPOCK filmmaker Adam Nimoy will participate in a Q&A after the screening! Get tickets.

tbt-st2September 15: STAR TREK II: THE WRATH OK KHAN

The Federation Starship U.S.S. Enterprise is on routine training maneuvers and Admiral James T. Kirk (William Shatner) seems resigned to the fact that this inspection may well be the last space mission of his career. But Khan is back. Aided by his exiled band of genetic supermen, Khan (Ricardo Montalban) – brilliant renegade of 20th century Earth – has raided Space Station Regula One, stolen a top secret device called Project Genesis, wrested control of another Federation starship, and now schemes to set a most deadly trap for his old enemy Kirk. Get tickets.

tbt-st3September 22: STAR TREK III: THE SEARCH FOR SPOCK

Admiral Kirk’s defeat of Khan and the creation of the Genesis planet are empty victories. Spock is dead and McCoy is inexplicably being driven insane. Then a surprise visit from Sarek, Spock’s father, provides a startling revelation: McCoy is harboring Spock’s living essence. With one friend alive and one not, but both in pain, Kirk tries to help both by stealing the U.S.S. Enterprise and defying Starfleet’s Genesis planet quarantine. But the Klingons have also learned of Genesis and race to meet Kirk in a deadly rendezvous. Get tickets.

tbt-st4September 29: STAR TREK IV: THE VOYAGE HOME

A mysterious alien power is threatening Earth by evaporating the oceans and destroying the atmosphere. In a frantic attempt to save mankind, Kirk and his crew must time travel back to 1986 San Francisco, where they find a world of punk, pizza and exact-change buses that are as alien as anything they’ve ever encountered in the far reaches of the galaxy. Get tickets.

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Filed Under: NoHo 7, Throwback Thursdays

DANCER’s Sergei Polunin, filmmaker Steven Cantor and artsmeme.com’s Debra Levine at the Monica Film Center September 9 for two Q&A’s.

August 31, 2016 by Lamb L.

We are thrilled to open the new documentary Dancer next week at the Monica Film Center and Playhouse 7. Dancer Sergei Polunin, the film’s subject, and Dancer director Steven Cantor will participate in a Q&A after the 5:20 and 7:40 PM screenings at the Monicas on Friday, September 9 and the 12:40 and 3 PM shows on Saturday the 10th. Dance critic Debra Levine, founder of artsmeme.com, will moderate the Friday Q&A’s.

Party animal, bad boy, ballet genius – Sergei Polunin confounds stereotypes just as his dancing defies belief. Blessed with impossible talent, he was born to be an international star but it was a destiny that nearly eluded him. After an unprecedented rise to the top, the Royal Ballet’s youngest ever principle stunned the dance world when he walked away from a seemingly unstoppable career at the age of 22. The rigors of ballet discipline and the burden of stardom drove this vulnerable young man to the brink of self-destruction. Saved – if not tamed – by his mentor Igor Zelensky, Polunin is dancing again and dazzling audiences in Russia. But now he is ready to enter a bigger stage. Urban rebel, iconoclast, airborne angel, Polunin will turn ballet, “a dying art form,” on its head.

15_DANCER

Directed by award-winning documentarian Steven Cantor, Dancer offers a uniquely personal portrait of a most singular man and dancer. From archive footage of Polunin training at the age of six to be an Olympic gymnast, to intimate material shot by his parents, and in-depth interviews with family, friends, colleagues through to footage of Sergei’s life on and off the stage now, we witness every step of Sergei’s journey. We also interview his detractors – those who say that his training methods and preference for practicing alone, do not make him a company player. Polunin is a controversial, divisive character and he is shown in all his complexity.

03_DANCER

The film is also a showcase for his extraordinary physical and emotional range. Dance features throughout. The centerpiece of the film, as seen through the lens of David LaChapelle, shot in Hawaii: Polunin dancing to Hozier’s song “Take Me to Church” was leaked online during the Dancer production in February 2015 and generated over 10 million YouTube views within two months.

https://www.youtube.com/watch?v=oCwc265NnDI

Director’s statement:

“How do you come to terms with a life definition that was created for you? When you’re the greatest in the world, what else is there left to achieve? To live for? Twenty-five-year-old, world-renowned ballet star, Sergei Polunin, has defined his life through his art, only to question his existence at the opportunity to become legendary.  Dancer is an intimate reflection of a talented and charming, but also complex and enigmatic ballet star at a vulnerable crossroads. By tracing through the memories of his life— particularly family and childhood sacrifices in destitute Ukraine— his complicated story unfolds, revealing a young man on the brink. Dancer weaves its narrative arc through archival footage, passionate dance sequences and present day verite scenes and interviews with important figures in Sergei’s life, as well as a remarkable stockpile of family photos and footage taken mostly by Sergei’s hard-driving mother, Galina. Ultimately, the film reveals a complicated, tattooed, young man, with skeletons, a sad past, and a beautiful artistic talent. As Sergei faces an uncertain future of his choosing, does he stick with dance or does he retire on top? The raw, remarkable dancer who captivates our eyes on screen and stage, will show the world where he ultimately decides to turn.”

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Filed Under: Featured Films, Featured Post, Filmmaker in Person, Q&A's, Santa Monica

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