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You are here: Home / Lamb L.

BOB’S PICK – “The Attack”

June 29, 2013 by Lamb L.

A film recommendation from Bob Laemmle.

The Attack is a fascinating drama that examines the Israeli/Palestinian situation from the vantage point of Lebanese Director Ziad Doueiri. Raising hosts of questions but resisting clear-cut answers, the filmmaker applies a deft and even-handed approach to his subject. Under Doueiri’s supervision, the acting is superb and believable to the point that it almost feels like you’re watching a documentary.

The story of how The Attack was made and distributed is nearly as compelling as the movie itself. Shot on location in both Israel and the Palestinian territories, the producers had to navigate and overcome complex political, bureaucratic and security issues. What’s more, the controversial nature of the film has led to a revolving door of financial backers.

While screening successfully to Arab audiences via the festival circuit, it’s unfortunate that the film will likely not be released in the Palestinian territories or most other Arab countries. However, it will play in Israel and tracking its performance there should prove interesting.

Of course, movie-goers around the world including Laemmle audiences here in L.A., should consider themselves fortunate indeed to be able to reap the benefit of Doueiri’s talent, passion, and commitment. Filmmakers like him and Tobias Lindholm (who’s equally riveting Danish thriller A Hijacking is also currently running) are just two present-moment examples of the incredible work being done by filmmakers across the globe. We are truly in a golden age of world cinema. Let’s be sure not to miss it!

The Attack is currently playing at our Royal and Playhouse 7 locations. It will be opening at the Town Center 5 on July 3.  Click here for more details.

   – Bob Laemmle

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Filed Under: Films, Playhouse 7, Royal, Staff Pick, Town Center 5

DETENTION OF THE DEAD Q and A w/Director

June 27, 2013 by Lamb L.

DETENTION OF THE DEAD director Alex Craig Mann will participate in a Q&A at the NoHo after the 7:50 PM screening on Friday, June 28.

http://youtu.be/hZ8QgFz62pw

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Filed Under: Uncategorized

Win a Pair of Tickets to CASABLANCA at the vintage Saban Theatre — this Saturday

June 27, 2013 by Lamb L.

Win a Pair of Tickets to CASABLANCA at the vintage Saban Theatre — this Saturday!

The Los Angeles Conservancy will screen the iconic 1942 film at 2pm on Saturday, June 29, at the 1930 Saban Theatre (formerly Fox Wilshire) in Beverly Hills.

We have a limited number of tickets to give away for the 2pm screening. To enter, email your favorite quote from the film to contests@laemmle.com by 8AM, June 28th. We’ll pick the winners at random and notify them by email.

For details on the screening and the Conservancy’s 27th annual “Last Remaining Seats” series of classic films in historic theatres, click here: http://ow.ly/mrGFU

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Filed Under: Contests

BIDDER 70’s Tim DeChristopher on Letterman

June 26, 2013 by Lamb L.

Tim DeChristopher, the subject of the new documentary BIDDER 70, was on David Letterman’s show last night.

http://www.youtube.com/watch?v=C_3a4aMv6Ig

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Filed Under: Uncategorized

FILL THE VOID Star Hadas Yaron Q and A’s this Weekend at the Royal

June 26, 2013 by Lamb L.

FILL THE VOID star Hadas Yaron will participate in Q&A’s at the Royal after the 8 PM screening on Saturday, June 29 and after the 5:40 PM screening on Sunday, June 30. She will also introduce the subsequent screenings.

http://www.youtube.com/watch?v=sGcy-M46BA8&feature=player_embedded

 

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Q and A’s Tommy Wiseau and Greg Sestero June 28 & 29 in NoHo

June 25, 2013 by Lamb L.

THE ROOM director/star Tommy Wiseau and co-star Greg Sestero in person at the NoHo 7 June 28 and 29 to celebrate the 10th anniversary of this midnight movie phenomenon.

http://www.youtube.com/watch?v=yCj8sPCWfUw

 

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Filed Under: Films, Music Hall 3, NoHo 7, Q&A's

BIDDER 70 Q and A’s this weekend

June 25, 2013 by Lamb L.

BIDDER 70 filmmakers George and Beth Gage will do Q&A’s after the 7:30 PM screenings Friday and Saturday, June 28 and 29 at the Music Hall. On Friday, the Q&A will be moderated by Tom Shadyac, director of Ace Ventura: Pet Detective, The Nutty Professor and Liar Liar, among others). The Gages will also be joined on Friday in the Q&A by BIDDER 70/Tim DeChristopher’s attorney & former Director of the Federal Bureau of Land Management, Patrick Shea.

http://www.youtube.com/watch?feature=player_embedded&v=KHR6jU9n8Do
Redford wore a BIDDER 70 cap throughout his last movie
Robert Redford in THE COMPANY YOU KEEP. He wore this cap throughout the movie.

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Filed Under: Uncategorized

New Book “100 Ideas That Changed Film”

June 25, 2013 by Lamb L.

Posted on The Atlantic website last month, Maria Popova’s piece about David Parkinson’s new book 100 Ideas That Changed Film:

“From serials to scores to queer cinema, a new book documents movies’ most important innovations.

“When a small handful of enthusiasts gathered at the first cinema show at the Grand Cafe in Paris on December 27, 1895, to celebrate early experimental film, they didn’t know that over the next century, their fringe fascination would carve its place in history as the “seventh art.” But how, exactly, did that happen? In 100 Ideas that Changed Film, Oxford Times film reviewer David Parkinson and publisher Laurence King—who brought us 100 Ideas That Changed Graphic Design and the epic Saul Bass monograph—offer a concise and intelligent chronicle of the most influential developments since the dawn of cinema.

“From technologies like magic lanterns (#1), the kinetoscope (#3), and the handheld camera (#78), to genres like slapstick (#21), poetic realism (#50), and queer cinema (#97), to system-level developments like the star system (#23), film schools (#38), and censorship (#48), to cultural phenomena like fan magazines (#31), television (#63), and feminist film theory (#86), the book blends the illuminating factuality of an encyclopedia with the strong point of view of a museum curator to reveal, beneath this changing flow of technologies and techniques, cinema’s deeper capacity for playing on universal emotions and engaging our timeless longing for escapism, entertainment, and self-expression.”

Hitch and Friend

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