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ART IN THE ARTHOUSE presents: DAVE FOX: A TALE OF TWO CITIES

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RSVP HERE
This is a Free Event

ART IN THE ARTHOUSE proudly presents DAVE FOX: A TALE OF TWO CITIES featuring the works of artist Dave Fox. Laemmle Theatres invites the community to join Rabbi Karen Fox for an artist talk, a slideshow on the big screen and refreshments on March 7 at Laemmle’s Royal Theatre. The artwork is for sale at this free exhibit, which runs through June 2018.

About the exhibit:

Born in 1920 in Vienna, Dave Fox was a storyteller in paint, ink and clay. His art, captured in his sketchbook, his constant companion throughout his life, reflected what he saw every day wandering the Austrian countryside and what would become his new home in California. Shortly after the Nazi Annexation, Fox left Vienna because he had to choose between staying and risking his life, or escaping to freedom. He arrived in Los Angeles in 1939, served in the U.S. Army and then attended art school, a defining moment. He subsequently dedicated his life to perfecting his printmaking, drawing, painting, and ceramic skills.

Fox focused on landscapes, people and abstracts, from the Pacific Ocean to the mountains and all the streets in between. His works captured the ever-changing vistas of Los Angeles and his memories of Vienna. His body of work weaves together all the pieces of his life. His early works from the late 1940s and early 1950s captured the ever-changing vistas of Los Angeles. His body of work weaves together all the pieces of his life. Fox wanted people to stop for more than a moment to take a close look at his art and enter his life as it played out in California, oceans away from his beginnings in Vienna. Fox’s work has been exhibited nationally and internationally, and is collected by museums and private collectors. Fox passed away in 2011 at age 90 and created art until the last weeks of his life.

– Georgia Freedman-Harvey, CURATOR

Laemmle’s Royal Theatre
11523 Santa Monica Blvd.
Los Angeles, CA 90025

Wednesday, March 7, 7 pm

Refreshments  provided

RSVP HERE
This is a Free Event

 

 

 

ART IN THE ARTHOUSE presents: PAUL GRONNER: LOST IN THE HOODOS in Pasadena

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ART IN THE ARTHOUSE invites you to view our newest exhibit in Pasadena, photographer PAUL GRONNER: LOST IN THE HOODOS. All works are for sale and on display till April, 2018.


About the exhibit
Where could a more perfect place be to lose oneself than amongst the Hoodos, the stunning spire-shaped rocks that blanket Southern Utah? In this photographic exhibition by PAUL GRONNER, the arresting Hoodos of Bryce Canyon National Park is just one of the locales showcased by the artist.His majestic suite of landscapes have been arranged in a keen, painterly fashion. Each work is well-sighted and ever-present.

With an uncanny ability to sally forth into regions at once wild and otherworldly, Gronner gets lost in the raw intaglios of the earth, finding serenity in the unknown. His work summonsrare beauty, shrinks us down and raises us up, while standing in sheer awe of nature’s impeccable design. A native of Minnesota, Gronner is an avowed national parks lover who makes frequent pilgrimages to places like the Grand Canyon, Sedona, and Arches National Park for reflection and shooting.

Southeast Asia has also served as inspiration, particularly Angkor Wat, the temples and ruins of Cambodia, and the jungles of Thailand and the Phillipines. Gronner began shooting quite early in life, at first with a Kodak Disc Camera,then a Pentax K1000 35mm. He studied at Augsburg University in Minneapolis. Gronner’s sister, journalist C.J. GRONNER is a frequent collaborator. Their work has resulted in classic images of global music icons such as Björk, Tom Morello, Nine Inch Nails, Incubus, and Damian Marley in both still and video formats.
– Joshua Elias, CURATOR

ART IN THE ARTHOUSE presents: BENNY FERDMAN: COOK-UP A SOUP AND OTHER TALES in Encino January 28

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ART IN THE ARTHOUSE proudly presents COOK UP A SOUP AND OTHER TALES, featuring the works of visual artist and educator BENNY FERDMAN. Laemmle Theatres invites the community to join Ferdman for an artist talk, slide show on the big screen and refreshments on January 28, 11 am at Laemmle’s Town Center 5. Most artwork is for sale at this free exhibit, which runs through May 2018.

About the Exhibit:
As a collector of materials and stories from human, natural and cultural landscapes, BENNY FERDMAN’s artwork juxtaposes and reinterprets these images and tales to reclaim wonder in everyday life. Cook-Up a Soup And Other Tales is a collection of Ferdman’s adventurous reclamation and reworking of Jewish iconography, folk motifs and works drawn from diverse narratives and East European Jewish culture, that once expressed itself in Yiddish. Raised in Los Angeles by Polish-Jewish immigrants, Yiddish was Ferdman’s first language. He has lived, studied and worked in Boston, New York, New Mexico, France, California and Israel.

As a visual artist and educator, Ferdman’s art has brought him art residencies, commissions of large scale sculptures, museum exhibitions and installations, redesigns of synagogues, design and fabrication of stage sets, and the distribution of arts-based curricula throughout North America and Israel. “Opkochen a Zup!” is about the big soup or as Ferdman says, “the soup of life into which we’ve all been tossed-and-rolled around on boiling waves, sometimes grabbing hold of a bleeding beet, riding on the back of a big bean, caressing a carrot, or poked in the eye by a prankster parsnip. In this very crowded pot, we meet and gather and then scatter, as the pot gets stirred and spilled into a bowl and consumed with a satisfying slurp!”

– Fern Wallach, Curator

ART IN THE ARTHOUSE delivers a unique, alternative art-viewing experience. At Laemmle venues around town, we give our patrons opportunities to bond with notable and emerging visual artists. We focus on local talent and the robust L.A. arts scene, and apply high curatorial standards to exhibits lasting three to four months. A portion of the proceeds benefits the Laemmle Foundation which supports a variety of environmental and humanitarian non-profits doing inspired, essential work in our community.

Artist Reception:
Encino Town Center 
Sunday, January 28 11-1pm
RSVP here
This is a Free Event

Refreshments will be provided

 

 

 

ART IN THE ARTHOUSE presents: ARCHIVING HESSE at the Royal Nov 1

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In 2016, the seminal artist EVA HESSE garnered national attention with an exhibit at the Whitney, an exhibit at Hauser Wirth & Schimmel in DTLA and with the opening of the film EVA HESSE , also featured at four Laemmle venues. The documentary, directed by Marcie Begleiter and produced by Karen Shapiro, was the first feature-length examination of Hesse’s life and work.

Barbara Brown_edit_lr
Barbara Brown, photographer

Laemmle’s Art in the Arthouse  proudly presents an encore exhibit of ARCHIVING HESSE at the Royal starting on November 1, 2017.  The exhibit, which premiered at the Monica Film Center last year, includes photography featured in the film. It showcases the work of photographer and raconteur, BARBARA BROWN, who, from 1962-1965, chronicled Hesse and the other luminaries that made up the Canal St. scene of New York’s Lower Eastside.

Unfortunately, most of Brown’s negatives were destroyed in a bizarre train fire and eternally lost. But we are pleased to present some surviving photos that capture the artist in particularly revealing moments. Interwoven are two images from Hesse’s 1968 solo exhibition at the Fishbach Gallery taken by NORMAN GOLDMAN.

About  Eva Hesse:  In 1938, at three years old, EVA HESSE was put on the kindertransport to escape Nazi Germany. She arrived in New York to reunite with her family, but seven years later lost her mother to suicide.

Hesse went on to study art and design at Yale University.  As an artist, she had a unique ability to alchemize her personal tragedies into searing and poetic works. Based mainly in New York, Hesse and her husband Tom Doyle briefly relocated their studio to Kettwig Germany where she transitioned from painter to sculptor.

“Stop [thinking] and just do!”  This strong note circa 1965 from her mentor Sol LeWitt opened Hesse up to an artistic stream of sculptures, paintings, drawings, and happenings. She incorporated industrial materials such as cord, wire, yarn, and latex to create magnificent walls sculptures that commanded attention. Hesse soon became a major figure in the post AbEx landscape movement. Tragically, Hesse died of brain cancer at age 34. She lives on in her works, which are displayed in museums worldwide.

 

 

ART IN THE ARTHOUSE presents: The Claremont Art Show 2017, September 17

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RSVP here
This is a free event!

Laemmle’s Art in the Arthouse proudly presents THE CLAREMONT ART SHOW 2017! Please join us to celebrate our local artists in an intimate theatre setting. Our inaugural Claremont community show features a slide show on the big screen, artist talks, bagels, pastries, coffee and the conversation Art in the Arthouse is known for.

About the Exhibit:

COMMUNAL CROSSROADS

It is a time when forms are re-shaping, sometimes appearing shapeless altogether, when people search, then gather to form community. These samplings of the Claremont art community, reflect our disparate experiences, focus on what interests us, move us and take us to another world. Art in the Arthouse is proud to share this group of artists, as they deliver beauty, expose light and reveal anti-poetic moments.  The sun dappling the Sycamores, the Huntington Library in a moment of repose, a flood of colorful Hydrangeas, and the solidity of a parked Winnebago are a few images that emerge. Isolation and the Science of Geometry have wiggled their way in here, as well. One solitary figure, green, ghostlike, and another with eyes, full of pathos on a Sunday morning. A joyful dialogue of passionate interchanges and quality of expressions help return us to community.

 – Joshua Elias, Curator

Artist Reception:
Laemmle’s Claremont 5
Sunday, September 17 11-3pm
Refreshments will be provided

RSVP here
This is a free event!

 

ART IN THE ARTHOUSE presents: SHULA SINGER ARBEL at the Monica Film Center September 6

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Art in the Arthouse proudly presents LOVE, HOPE, MEMORY, featuring the works of SHULA SINGER ARBEL at the Monica Film Center. Please join us for our slide show on the big screen, artist talk, and of course, the wine, cheese and conversation Art in the Arthouse is known for. Drawing inspiration from her incredible family history,  ARBEL created paintings based on photographs found in an old photo album. Curated by Tish Laemmle, the exhibit runs through early January 2018 at the Monica Film Center in Santa Monica.  shulasingerarbel.com

Artist Reception:
Monica Film Center
Wednesday, September 6, 7-9pm
Refreshments will be provided
RSVP HERE

About the Exhibit:

LOVE, HOPE, MEMORY is the story of Shula Singer Arbel’s parents, Edith and Michael Singer. They met in 1946 in a Displaced Persons Camp in Heidenheim Germany, right after World War II. ARBEL’S mother was a survivor of Auschwitz, her father had been in the Russian and Polish Army. In spite of the tremendous loss and unimaginable suffering, this was a time of great hope and optimism for the future. It was a time of building new lives and looking forward. Based on black and white photographs found in an old photo album, the portraits are a fusion of representational, abstract, and dream-like images; a flattening of form mixed with painterly surfaces. The figures in the paintings are intentionally faceless to create a more universal narrative.

ARBEL was born in Israel and moved to Los Angeles at the age of three. She received an MFA degree from UCLA in Film Production, worked in the film industry and was the first recipient of the Barbra Streisand screenwriting award.

Now a full-time artist, she exhibits her work extensively in galleries throughout Los Angeles and in public venues including, Pershing Square Park, the Wilshire Vermont Metro Station, and a billboard in Culver City.

What drew me to ARBEL’s artwork were not only her magnificent bright colors and patterns, but also her ability to evoke the past. Mesmerized by the figures in her “memory” series, I imagine myself as one of those women, knowing my childhood is gone forever, but my future can be as brilliant as my imagination will allow.

– Tish Laemmle, CURATOR

ART IN THE ARTHOUSE presents: THREE WOMEN: PERCHED UPON THE TREE OF LIFE at the Royal

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BLANDINE SAINT-OYANT, RANA WILSON and NADEGE BAER

Three Artists perched high above the fray, upon a tree bending towards the heavens. The dappling of leaves, the rounded crescent forms and the ether itself, all imagery ribboning towards the nascent sky. When forms dance, they dance with hope, they dance with joy and they dance for Life.

Art in the Arthouse presents the artworks of three extraordinary artists, distinct in craft and vision, yet connected by their visceral energy and joie de vivre.  Don’t miss this unique exhibit, now on display at the Royal through October 21, 2017.

NADEGE BAER and BLANDINE SAINT-OYANT are both of French origin, and RANA WILSON is a Los Angeles native. These three painters joins forces, their work intersecting forms creating a dance in space. BAER’S work plays with compositional balance, painting corpuscular forms that anchor themselves to the edge of the canvas. Deftly painted in acrylics, they resemble a translucent quality of watercolors. WILSON’S wispy play with forms and open spaces are cleverly rendered, sent into the ether, undulating like smoke. SAINT-OYANT has created an intriguing series with a micro view, subatomic and brilliant. Read more about these artists’ journeys through exhibition notes available at the theatre.

    – Joshua Elias, CURATOR

ART IN THE ARTHOUSE presents: ART ON ART by Robert Cenedella at Claremont 5

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Art in the Arthouse revisits the works of ROBERT CENEDELLA with a new showing of his special edition silk screens entitled ART ON ART. Cenedella’s series, currently on display in Claremont until September 17, is a part of The Laemmle Collection.

About the Exhibit:
Previous works by Robert Cenedella, shown at Laemmle’s Monica Film Center along side the documentary film ART BASTARD,  gave an in-depth example of what is controversial. Our current show, reveals another side of the artist. The numbered editions of silk screens on archival paper, are less political statement, more tailored etchings of clever positioning and whimsical humor. They are signed by the artist and museum framed to ensure preservation with handmade Italian frames from all natural materials.

“I am a product of starting my career circa 1959 just when all the “isms” came to be – Absract Expressionism, Abstract Illusionism, Constructivism, Minimalism, Hypermodernism, etc – and the very kind of work that I was developing under GEORGE GROSZ at the Arts Students League of New York was literally being not just looked down upon, but verbally scorned and ridiculed by art critics, art schools and the public in general. 

Having fought the notion that skills were no longer necessary, in particular drawing, PROTEST, has in some ways become part of my work. This has not been intentional on my part; it just has become a fact of sorts after fifty years of having never fit into the ART ESTABLISHMENT on any level.  To this day, my work continues to be considered controversial one way or another.”

 – Robert Cenedella, Artist