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Our 11th Annual Christmas Eve FIDDLER SING-ALONG is Just Around the Corner! Get Tickets Now!

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UPDATE! We’re pleased to announce our Fiddler Hosts for 2018!  Click here for bios.
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Music Hall
Michael Schlesinger – NEW! – writer, producer, and classic film expert, appearing on behalf of The Los Angeles Jewish Film Festival – BUY TIX

Ahrya Fine Arts
Robbo – NEW! – singer, songwriter, and song leader, appearing on behalf of Shalom Institute, home of Camp JCA Shalom – BUY TIX

Playhouse
Cantor Aviva Rosenbloom – NEW! – appearing on behalf of the Jewish Federation of the San Gabriel and Pamona Valleys – BUY TIX

Glendale
Elissa Glickman – NEW! – community leader, appearing on behalf of Glendale Arts – BUY TIX

Royal
Aaron Wolf – NEW! – director of Restoring Tomorrow, appearing on behalf of Camp Hes Kramer and Gindling Hilltop Camp – BUY TIX

NoHo 7
Gustavo Bulgach – musician, bandleader of Klezmer Juice – BUY TIX

Monica Film Center
Isaac Wade – NEW! – actor, and Monica Film Center GM – BUY TIX

Claremont 5
Dr. Arthur Benjamin  – NEW! – “mathemagician” appearing on behalf of Temple Beth Israel – BUY TIX

Town Center 5
Stephen Sass (4:30pm) – of the Jewish Historical Society of Southern CA – BUY TIX
Kenny Ellis (7:30pm) – entertainer, comedian, singer of Hanukah Swings! – BUY TIX

Jump below to find out more about our hosts.

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Can you believe it’s the 11th year of our Christmas Eve FIDDLER SING-ALONG!?  Join us in coming together as a community to celebrate the song, shtick, and shenanigans of Laemmle’s legendary Christmas Eve experience.

For 2018, this ever-popular event will be occurring at eight of our neighborhood venues including our brand new theater in Glendale and the magnificent single screen, art deco AHRYA FINE ARTS in Beverly Hills (see below for full listing and ticket links).

(Jump down to watch the Sing-A-Long trailer.  For tickets, visit Laemmle.com/Fiddler).

In addition to movie and song, the evening will feature TRIVIA with PRIZES being awarded to Fiddler buffs with the quickest recall.  Dressing in COSTUME is not required, but highly encouraged! Who knows, perhaps the best costume will garner a prize?  Or perhaps this is the year you’ll be given an opportunity to do your best Tevye or Golde impression?  That will be up to the emcee.  Indeed, each location will feature its own host (to be announced).

As Greg Laemmle is fond of saying “Christmas Eve isn’t just Chinese food!”  He elaborates, “This is your once-a-year chance to be the star of the shtetl. Join with friends and neighbors and sing your heart out alongside Fiddler’s screen legends. And it’s okay if you haven’t memorized all the songs. We provide the lyrics.”

Song highlights include the iconic “TRADITION”, “IF I WERE A RICH MAN”,  “TO LIFE”, “SUNRISE SUNSET”, “DO YOU LOVE ME?” and “ANATEVKA”, among many, many more.

Don’t be late! Those who wish to attend the program are advised to purchase tickets in advance as the program has traditionally sold to capacity. We welcome all those in the community who are looking for an alternative Christmas Eve.

See you in the shtetl…


https://www.youtube.com/watch?v=CnuyNaOEBt4&feature=youtu.be

Fiddler Hosts – 2018

Michael Schlesinger at the Music Hall (Beverly Hills)
Writer, producer, and classic film expert MICHAEL SCHLESINGER will be our host at the MUSIC HALL in Beverly Hills. Known as the “the dean of classic film distributors,” Schlesinger worked for more than 25 years at MGM, Paramount and Sony, keeping hundreds of vintage movies in theatrical release. He was responsible for restoring many films, including the award-winning completion of ORSON WELLES’ 1942 documentary “It’s All True.” He has also recorded several DVD commentaries, is a “Trailers From Hell” guru and has appeared in numerous documentaries, notably the recent HBO smash “If You’re Not In The Obit, Eat Breakfast.” Behind the camera, he wrote and produced the American version of “Godzilla 2000” and co-produced such LARRY BLAMIRE comedies as “The Lost Skeleton Returns Again.” According to Schlesinger, he has “never fiddled, and avoids going up onto the roof.” His appearance at the will support our community partner, the THE LOS ANGELES JEWISH FILM FESTIVAL. BUY TIX

ROBBO at the Ahrya Fine Arts (Beverly Hills)
Singer, songwriter, and legendary Jewish camp songleader ROB ZELONKY, aka “ROBBO” will be our host at the AHRYA FINE ARTS venue in Beverly Hills. A three-time White House performer and Parent’s Choice Gold Award winner, Robbo has long been a staple of the national children’s music scene. His abundant material on Spotify and iTunes includes the stand-out album “A Kid’s Life” which features the vocal talents of Oscar and Emmy nominated celebrities including TERI GARR. Born into a musical family, Robbo began singing Yiddish and American folk songs around Chicago with his parents and sister as a young boy. ROBBO’s appearance at FIDDLER will support the SHALOM INSTITUTE. The institute operates CAMP JCA SHALOM in Malibu, one of the several Jewish camps that recently fell victim to the recent Woolsey Fire. Robbo served as the camp’s beloved songleader for over 20 years. BUY TIX

Cantor AVIVA ROSENBLOOM at the Playhouse 7 (Pasadena)
Creator of the Feminist Shabbat at Temple Israel of Hollywood and female cantor pioneer AVIVA ROSENBLOOM headlines proceedings at Laemmle’s Pasadena Playhouse. An anti-war activist and veteran of the Civil Rights Movement, Rosenbloom’s life trajectory changed after a transformational trip to Israel. With the realization that Jewish music was her calling, her journey soon led her to become the first full-time woman Cantor in Los Angeles. She served as Cantor at Temple Israel of Hollywood for over 30 years from 1975 to 2008. She is also a songwriter, with several recordings of Jewish music to her credit, including the career retrospective “Viva Aviva: A Life in Song.” Rosenbloom’s appearance will support our community partner, the JEWISH FEDERATION OF THE SAN GABRIEL AND POMONA VALLEYS. BUY TIX

ELISSA GLICKMAN at the Laemmle Glendale
Community leader and CEO of Glendale Arts, ELISSA GLICKMAN will be our host at the brand new Laemmle Glendale. GLENDALE ARTS is the non-profit organization the operates the iconic ALEX THEATRE, a Glendale landmark since 1925 and situated just around the corner from Laemmle. Glickman presides over a dynamic array of film and live programming designed to benefit youth, patrons, artists, and the broader community. She brings more than twenty years of non-profit marketing and event planning experience to the table including stops at the NATIONAL ACADEMY OF RECORDING ARTS AND SCIENCES, AIDS PROJECT LOS ANGELES, and the CHILDREN’S MUSEUM OF LOS ANGELES. Glickman has been awarded “Business Woman of the Year” from both the Glendale Chamber of Commerce and the CA State Assembly. Her appearance at FIDDLER will support the valuable work of Glendale Arts. BUY TIX

AARON WOLF at the Royal (West L.A.)
Award-winning actor and filmmaker AARON WOLF will be our host at the ROYAL THEATRE in West Los Angeles. A native Angeleno, Wolf’s latest film, RESTORING TOMORROW is a personal journey of rediscovery told through recounting the awe-inspiring restoration of our sacred spaces, including the synagogue of his upbringing, Wilshire Boulevard Temple. Currently, Wolf is in post-production on the thriller TAR about an ancient creature that lurks beneath the La Brea Tar Pits featuring Academy nominees Timothy Bottoms and Graham Greene. His upcoming comedy project LD UNIVERSITY, and its companion documentary “(We Are All) disAbled” tackles the important topic of learning disabilities and education. Wolf’s appearance will support the Wilshire Boulevard Temple Camps in Malibu – CAMP HESS KRAMER and GINDLING HILLTOP CAMP – both devastated in the Woolsey Fire. BUY TIX

gustavositting_crop_prGUSTAVO BULGACH at the NoHo 7 (N. Hollwyood)
Accomplished Klezmer musician and bandleader GUSTAVO BULGACH will be our host at the Royal in West L.A. Born and raised in Buenos Aires, Bulgach was inspired at an early age by the religious and secular life of the Argentine community. Now based in L.A., Bulgach travels the globe uplifting audiences with a vibrant, soulful Klezmer he terms the “soundtrack of the Diaspora.” Bulgach has been a longtime member of the House of Blues Foundation house band backing artist such as LITTLE RICHARD, TAJ MAHAL, and THE WAILERS. His own outfit, KLEZMER JUICE, was featured in the Hollywood mega hit movie THE WEDDING CRASHERS featuring Owen Wilson and Vince Vaughn. BUY TIX

ISAAC WADE at the Monica Film Center (Santa Monica)
Laemmle’s very own ISAAC WADE is the General Manager of our MONICA FILM CENTER location and has been working with the company for over 16 years. He is the former GM of the storied LAEMMLE SUNSET 5 in W. Hollywood as well as the company’s signature ROYAL venue in West L.A. Additionally, the talented Wade is an accomplished thespian, working overseas and with several local companies such as the L.A. THEATRE ENSEMBLE and cARTel: THE ARTS COLLABORATIVE. During his youth in Kansas, he performed the role of TEVYE in the Galena High School production of Fiddler. Laemmle audiences who love and appreciate Wade in his role as theater manager are in for a treat as he reveals yet another facet of his dynamic persona. BUY TIX

Dr. ARTHUR BENJAMIN at the Claremont 5 (Claremont)
New this year to the Claremont 5, Dr. ARTHUR BENJAMIN brings his mesmerizing math and magic combo to host and entertain our Claremont audiences in an entirely unique way! Appearing on TV and radio on shows such as The Today Show, CNN, The Colbert Report, and NPR, Dr. Benjamin demonstrates and explains his secrets for performing rapid mental calculations faster than a calculator. He has given 3 TED Talks, one of which has been viewed over five million times. Reader’s Digest calls him “America’s Best Math Whiz”. Dr. Benjamin’s appearance will support TEMPLE BETH ISRAEL in Claremont, our Fiddler partner for the past six years. BUY TIX

STEVE SASS at the Town Center 5 (Encino, 4:30pm Show)
Community leader STEPHEN SASS currently serves as President of the JEWISH HISTORICAL SOCIETY OF SOUTHERN CALIFORNIA. As founding president of the BREED STREET SHUL PROJECT, he has been instrumental in the ongoing revitalization of one of L.A’s earliest synagogues built in 1915 in Boyle Heights. He co-wrote and executive-produced “Meet Me at Brooklyn & Soto” an award-winning documentary on East L.A.’s Jewish Heritage. What’s more, Sass is the chair of the L.A. COUNTY HISTORICAL LANDMARKS AND RECORDS COMMISSION, appointed by Supervisor Sheila Kuehl. In professional life, he is the Senior Vice President of Legal Affairs for HBO. Sass’ appearance will support our partner, Jewish Historical Society of Southern California. BUY TIX

KENNY ELLIS at theTown Center 5 (Encino, 7:30pm Show)
Known as “The Man Behind the Matzoh Ball,” cantor and comedian KENNY ELLIS will be our 7:30pm host in Encino. He appears in support of our partner, the JEWISH HISTORICAL SOCIETY OF SOUTHERN CALIFORNIA. As a cantor and comedian, Ellis has entertained audiences all around the globe. Currently the cantor at Temple Beth Ami in Santa Clarita, you can also catch Ellis at the LAUGH FACTORY in Hollywood. His television credits include recent appearances on CURB YOUR ENTHUSIASM as well as LAW & ORDER. Ellis achieved further success with HANUKKAH SWINGS! a recording that broke new ground as the first ever big band Hanukkah album. Large YouTube audiences have enjoyed “Swingin’ Dreidel” and other tracks from the hit record. BUY TIX

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PROGRAM DETAILS

DATE: Monday, December 24th

TIME: 7:30pm

PRICING:
General – $18
Senior 62 & Over / Child 11 & Under – $15
Premiere Card General – $15
Premiere Card Senior 62 & Over / Child 11 & Under – $12

LOCATIONS:
Claremont – Get Tickets
Ahrya Fine Arts in Beverly Hills- Get Tickets
Glendale – Get Tickets
NoHo – Get Tickets
Playhouse in Pasadena – Get Tickets
Royal in West L.A. – Get Tickets
Monica Film Center in Santa Monica – Get Tickets
Town Center in Encino- Get Tickets 

Dyan Cannon In Person for 45th Anniversary of THE LAST OF SHEILA on November 28 in West LA

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Following our sold-out screening of Death on the Nile, Laemmle Theatres and the Anniversary Classics Series present another treat for mystery lovers. THE LAST OF SHEILA is a modern-day whodunit, and according to Newsweek, “the story moves through intellectual gymnastics reminiscent of the best of Agatha Christie.” The scintillating screenplay represents the only script ever written by celebrated composer Stephen Sondheim, which he co-authored with actor Anthony Perkins.

Sondheim, Perkins, and director Herbert Ross were all fans of murder mystery games, and they channeled their enthusiasm into this intricate, suspenseful thriller, which also allowed them to poke fun at a whole gallery of Hollywood personalities. As Alan Howard wrote in The Hollywood Reporter, “The ingeniously constructed screenplay by Stephen Sondheim and Anthony Perkins is genuinely witty, gossipy and often downright malicious.”

The story begins with the death of Sheila, a gossip columnist who knew all the carefully guarded secrets of the stars and filmmakers in Tinseltown. She is run down in a hit-and-run accident, and the driver speeds away. A year later her husband, a wealthy and sadistic producer, invites their friends to a holiday on his yacht in the south of France. There he intends to have them join him in a series of mystery games, and he also plans to unmask one of them as the killer of his wife. But the games do not go exactly as planned, and soon a few more bodies begin to pile up.

Leonard Maltin called the elegantly photographed film a “super murder-puzzler about jet-set gamester who devises what turns into a deadly game of whodunit.” Ross assembled an all-star cast to play the conniving jet-setters: James Coburn as the producer, James Mason as a director fallen on hard times, Richard Benjamin as a struggling screenwriter, Joan Hackett as his supportive wife, Dyan Cannon as a bitchy Hollywood agent, Raquel Welch as a neurotic star, and Ian McShane as her manager husband.

Co-star Dyan Cannon received Oscar nominations for her performances in Paul Mazursky’s Bob & Carol & Ted & Alice and Warren Beatty’s Heaven Can Wait. She also earned a nomination for a short film she directed, Number One. Her other films include Such Good Friends, The Anderson Tapes, Revenge of the Pink Panther, Honeysuckle Rose, Deathtrap, Author! Author!, The End of Innocence (which she also wrote and directed), and Boynton Beach Club.

Writing of her performance in The Last of Sheila, The New York Times’ Vincent Canby declared, “Most colorful is Dyan Cannon, who plays the talent agent for all that the wisecracks are worth… she gives a very good, very comic performance. The others are also good, especially Richard Benjamin and Joan Hackett and James Mason… but the essential bitchery that makes the film work is provided by Miss Cannon and by all of the Sondheim-Perkins inside references.” The Hollywood Reporter agreed: “Dyan Cannon gives the performance of her career as a demonic Hollywood agent.”

THE LAST OF SHEILA with Dyan Cannon in person screens at 7pm on Wednesday, November 28th at the Royal Theater in West Los Angeles. Click here to purchase tickets.

Format: DVD

Eightieth Anniversary Screenings of Jean Renoir’s GRAND ILLUSION on November 14 in Encino, Pasadena, and West LA

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Laemmle Theatres and the Anniversary Classics Series present the latest in our Anniversary Classics Abroad program, Jean Renoir’s anti-war masterpiece, GRAND ILLUSION. We present this program to commemorate the 100th anniversary of the end of World War I on November 11, 1918. Renoir’s film is generally regarded as the finest set during the First World War, and it endures as a memorable lament for the loss of an entire generation.

Part of the originality and impact of ‘Grand Illusion’ comes from the fact that it has no battle scenes. Much of it is set in a German prison camp where several French soldiers are under the command of an aristocratic German officer, played by silent film director Erich von Stroheim. The prisoners are portrayed by rising French actors Jean Gabin, Pierre Fresnay, and Marcel Dalio. Their struggle to escape the camp provides the suspense in the film’s second half.

Throughout the picture, Renoir sees the humanity in both captives and captors, and the film is especially notable in its portrayal of Dalio’s character, a wealthy French Jew. Filmed on the eve of the Second World War, Renoir deliberately chose to include a prominent Jewish character at a time when virulent anti-Semitism was on the rise in Europe. Nazi propaganda minister Joseph Goebbels called ‘Grand Illusion’ “Cinematic Public Enemy No. 1.”

Elsewhere, the film received nothing but acclaim. In 1937 it won a prize at the Venice Film Festival for Best Artistic Ensemble. When the film opened in the United States in 1938, it became the first foreign language film ever to be nominated by the Academy for Best Picture. (This would not happen again for 30 years, when ‘Z’ received a Best Picture nod in 1969.) Over the years the film was acclaimed by critics and also by other filmmakers. Orson Welles named ‘Grand Illusion’ as one of two films he would take with him to a desert island.

When the film was reissued years later, the New York Times’ Janet Maslin called it “one of the most haunting of all war films… an oasis of subtlety, moral intelligence and deep emotion on the cinematic landscape.” Pauline Kael praised the film as “a triumph of clarity and lucidity; every detail fits simply, easily, and intelligibly.” And Leonard Maltin acclaimed “Renoir’s classic treatise on war, focusing on French prisoners during WWI and their cultured German commandant. Beautiful performances enhance an eloquent script.”

GRAND ILLUSION screens at 7pm on Wednesday, November 14th at the Playhouse 7 in Pasadena, Royal Theatre in West LA, and Town Center 5 in Encino.

Click here to purchase tickets.

Format: DCP

Video Game Inspired Cinema Every Throwback Thursday in November at the NoHo 7

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When we’re not watching foreign films or documentaries, we’re probably watching the Dodgers. But the rest of the time? The rest of the time we’re playing video games! Join us in celebrating one of the world’s most under appreciated art forms with four of our favorite gaming-inspired films every Throwback Thursday in November at the NoHo 7 in North Hollywood.

Our “My Life as a Video Game” Throwback Thursday series begins on Thursday, November 1st with THE LAST STARFIGHTER! Doors open at 7pm, trivia starts at 7:30, and movies begin at 7:40pm. Check out the full schedule below!

November 1: The Last Starfighter

Q&A with star Lance Guest!
Avid video game player Alex Rogan (Lance Guest) finds himself transported to another planet after conquering The Last Starfighter video game only to find out it was a test. He’s been recruited to join a team of top starfighters to defend their world from the attack. TICKETS.

November 8: WarGames

A young video game aficionado, David (Matthew Broderick), inadvertently taps into a top secret U.S. military computer and proceeds to play his favorite game, “Global Thermonuclear War.” What we know, but David doesn’t, is that the Pentagon, hoping to eliminate the chancy “human element” in the event of an actual war, has given its computer total, irreversible control over the launching of nuclear weaponry. David and government official McKittrick (Dabney Coleman) race against time to reverse the computer’s resolve to send bombers to Russia. TICKETS.

November 15: TRON

A hacker is abducted into the digital world and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program. Jeff Bridges, Bruce Boxleitner, and David Warner star. TICKETS.

November 22: Thanksgiving (No Screening) ?

 

November 29: Scott Pilgrim vs The World

Director Edgar Wright’s adaptation of a series of graphic novels follows Scott Pilgrim (Michael Cera), who must defeat his new girlfriend’s (Mary Elizabeth Winstead) seven evil exes in order to win her heart in this original and clever coming-of-age comedy. TICKETS.

Details about December #TBT screenings are coming soon. Remember to check www.laemmle.com/tbt for updates!

Two Horror Classics from the Universal Studio Vaults on Tuesday, October 30 in Pasadena, NoHo, and West LA

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Laemmle Theatres and the Anniversary Classics Series present a double feature of classic Universal studios’ horror films on the eve of Halloween, October 30, in our popular Twofer Tuesday (two films for the price of one) program. We will show a “double treat” of the 85th anniversary of THE INVISIBLE MAN (1933) paired with the 70th anniversary of the horror-comedy ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948).

THE INVISIBLE MAN was a key entry in the cycle of terror films from Universal studios in the early 1930s that helped secure its reputation as the “house of horror” in the early sound era. Produced by Carl Laemmle Jr., son of the studio founder, the film stars Claude Rains in his American screen debut and Gloria Stuart, and was based on the H. G. Wells’ novel, adapted for the screen by R. C. Sheriff (‘Goodbye, Mr. Chips,’ ‘The Four Feathers,’ ‘Odd Man Out’). Universal called on James Whale, the acclaimed director of ‘Frankenstein’ and ‘The Old Dark House’ (with ‘The Bride of Frankenstein’ still waiting in the wings in the genre), to helm the project.

Rains portrays Dr. Jack Griffin, a chemist whose experiments with an obscure drug go awry, rendering him invisible and murderously insane. Rains played the title character mostly as a disembodied voice, often shown swathed in bandages, appearing only briefly on screen. He would later become one of the most recognizable of British actors working in Hollywood, garnering four Oscar nominations (‘Mr. Smith Goes to Washington,’ ‘Casablanca,’ ‘Mr. Skeffington,’ ‘Notorious’) and dozens of notable performances in his illustrious career.

Leading lady Gloria Stuart would have to wait sixty-four years before she capped her career with an Oscar nod for ‘Titanic’ in 1997. THE INVISIBLE MAN was a major hit at the box office, and was named one of the year’s ten best by The New York Times, whose critic at the time wrote,“The story makes such superb cinematic material that one wonders why Hollywood did not film it sooner…it is a remarkable achievement.” In 2008 the Library of Congress added it to the National Film Registry.


ABBOTT AND COSTELLO MEET FRANKENSTEIN, as noted by TV Guide, is a “hilarious spoof of the Universal horror films of the 1930s and early 40s.” Bud Abbott and Lou Costello star as railway freight handlers who unwittingly deliver the “undead” bodies of Dracula (Bela Lugosi) and Frankenstein’s Monster (Glenn Strange) to a wax museum, where they are revived. Lon Chaney Jr. co-stars, recreating his role as the Wolf Man, who tries to aid the comic duo. Lugosi donned Dracula’s cape in a featured role for the second and final time on the screen. The Invisible Man also makes a cameo appearance, this time with the voice of Vincent Price.

The film, directed by Charles Barton from a screenplay by Robert Lees, Frederic Rinaldo, and John Grant, was such a huge hit that it propelled Abbott and Costello onto the Top Ten Box Office Stars Poll the following year, where they would be ranked for four consecutive years. Its success also spawned a series of seven films in which the duo would “meet” more of the monsters from the Universal vaults. The film is ranked 56th on the AFI’s list of the Funniest Movies, and was added to the National Film Registry in 2001.

The Halloween Eve Twofer Tuesday double bill of THE INVISIBLE MAN and ABBOTT AND COSTELLO MEET FRANKENSTEIN plays at three Laemmle locations: Royal, NoHo and Pasadena Playhouse 7 on October 30.

ABBOTT & COSTELLO MEET FRANKENSTEIN shows at 4:40 PM and 8:10 PM. THE INVISIBLE MAN shows at 6:30 PM and 9:55.

Click here to get tickets for the 4:40 PM or 8:10 PM ABBOTT & COSTELLO MEET FRANKENSTEIN with the 6:30 PM or 9:55 THE INVISIBLE MAN included.

Click here to get tickets for the 6:30 PM THE INVISIBLE MAN with the 8:10 PM ABBOTT & COSTELLO MEET FRANKENSTEIN included.

AMERICAN GRAFFITI 45th Anniversary with Screenwriters and Co-stars In-person on October 23 in Beverly Hills

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Laemmle Theatres and the Anniversary Classics Series present a 45th anniversary screening of one the most beloved comedies of the era, George Lucas’s AMERICAN GRAFFITI.

The film earned five Oscar nominations in 1973, including Best Picture, Best Director, Best Original Screenplay, and Best Supporting Actress Candy Clark, and it was a box office smash, despite the studio’s nervousness about the film’s innovative structure and largely unknown cast (all of whom would go on to have extraordinary careers).

“Where were you in ’62?” was the advertising tag line for the movie, and it tapped into the nostalgia that many Americans felt for a more innocent time, before all the violent upheavals of the late 60s and 70s. Set around Lucas’s home town of Modesto, California, the film follows a group of friends on a single night before two of them are scheduled to leave for college. They cruise the main drag and have a series of wild and sometimes dangerous adventures before dawn forces them all to a reckoning with both their past and their future.

As Variety wrote, “Of all the youth-themed nostalgia films in the past couple of years, George Lucas’ American Graffiti is among the very best to date… all the young principals and featured players have a bright and lengthy future.”

Those “young principals” include Ron Howard, a former child star and future Oscar-winning director; Richard Dreyfuss, who would win a Best Actor Oscar four years later; Cindy Williams, who would star in the hit TV series, Laverne and Shirley, later in the decade; Harrison Ford, who would soon become a megastar in Lucas’ Star Wars and other films; Candy Clark, Paul LeMat, Charles Martin Smith, Mackenzie Phillips, and Bo Hopkins.

The behind-the-scenes team was equally impressive. Fresh off his triumph on The Godfather, Francis Ford Coppola acted as producer, along with Gary Kurtz. The impressive night-time cinematography was by Oscar winner Haskell Wexler, credited as “visual consultant.” The film’s Oscar-nominated editors were Marcia Lucas and Verna Fields (later an Oscar winner for Steven Spielberg’s Jaws). The musical score—a non-stop medley of 1950s and early 60s hits—provided delightful punctuation to the action, with commentary by real-life deejay Wolfman Jack, who makes a memorable cameo appearance late in the film.

Many later films followed the template created by American Graffiti of having all the action take place over a single day or night. These hit films, which might never have been financed without the success of Lucas’s film, include several John Hughes movies (The Breakfast Club, Ferris Bueller’s Day Off) and Richard Linklater’s Dazed and Confused.

Entertaining as they were, few of these later films had the same emotional depth that American Graffiti plumbed. Newsweek’s Paul D. Zimmerman called it a “brilliant, bittersweet memoir.” Writing in the New York Times, Stephen Farber said, “The stunning screenplay by Lucas, Gloria Katz and Willard Huyck is rich in characterization, full of wit and surprise.” And Time’s Jay Cocks declared, “Few films have shown quite so well the eagerness, the sadness, the ambitions and small defeats of a generation of young Americans. Bitchin’ as they said back then. Superfine.”

Willard Huyck and Gloria Katz also wrote the screenplays for Radioland Murders, French Postcards, and the Lucas-Spielberg production of Indiana Jones and the Temple of Doom. Candy Clark, who earned an Oscar nomination for her engaging performance in American Graffiti, co-starred with David Bowie in Nicolas Roeg’s The Man Who Fell to Earth and also appeared in Jonathan Demme’s Citizens Band, Blue Thunder, At Close Range, and David Fincher’s Zodiac. Charles Martin Smith co-starred in The Buddy Holly Story, Never Cry Wolf, Starman, and The Untouchables. More recently, he has written and directed for both film and television.

AMERICAN GRAFFITI screens Tuesday, October 23, at 7:30PM at the Ahrya Fine Arts in Beverly Hills. Oscar-nominated screenwriters Willard Huyck and Gloria Katz and co-stars Candy Clark and Charles Martin Smith will participate in a Q&A at the screening. Click here for tickets.

Format: DCP

LIYANA Q&A’s Opening Weekend at the Glendale.

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LIYANA filmmakers Amanda and Aaron Kopp will participate in Q&A’s following the 7:20 PM show on Friday, 10/19 and Saturday 10/20 at the Glendale.

https://www.youtube.com/watch?v=CjT9RtV9gs4

65th Anniversary of HOUSE OF WAX in 3-D on October 13 at the Ahrya Fine Arts in Beverly Hills

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This Halloween season Laemmle Theatres and the Anniversary Classics Series present a 65th anniversary screening of the 1953 horror thriller HOUSE OF WAX, starring horrormeister Vincent Price, in 3-D.

The film was a remake of Warner Bros.’ Mystery of the Wax Museum (1933) with the added sensation of three-dimensional technology. This version is noteworthy for its creative use of 3-D and emphasis on storytelling over gimmicks.

Directed by Andre de Toth from a screenplay by Crane Wilbur (adapted from the earlier film and the play The Wax Works by Charles Belden). Toth, a Hungarian émigré and workman director who remarkably had one eye, which rendered him unable to see the 3-D effects of his most accomplished movie. House of Wax was the first color 3-D feature film from a major studio, and its’ success at the box office fueled the first 3-D craze that swept Hollywood in the early 1950s.

Vincent Price stars as a wax sculptor-artist of an early twentieth-century New York wax museum who is disfigured in a fire set by his greedy business partner. He returns to open a new house of wax figures that create a show business sensation of shock and terror, with a horrifying secret – his wax effigies are now filled with corpses.

After primarily supporting parts, Price relished the leading role that launched him into the front ranks of screen villainy, and he spent the rest of his movie career closely identified with the horror-terror genre in such films as House on Haunted Hill, The Pit and the Pendulum, The Masque of the Red Death, The Abominable Dr. Phibes, and Theater of Blood.

A strong supporting cast included Frank Lovejoy, Phyllis Kirk, and in roles early in their careers, future Oscar-nominee Carolyn Jones (Bachelor Party, TV’s The Addams Family) and action star Charles (Bronson) Buchinsky (Death Wish), who is somewhat pitiable in the role of madman Price’s mute assistant.

The novelty of wearing polaroid glasses to view the 3-D effects (including a paddleball-pitchman and the original museum fire) helped lure audiences away from their television sets in the fifties.

Variety aptly predicted “this film will knock ‘em for a ghoul.” The film was successfully reissued twice, in 1971 and again in the second 3-D fad of the early 1980s. In 2014, the movie was selected for preservation by the Library of Congress in the National Film Registry.

The 65th anniversary screening in 3-D shows at the Ahrya Fine Arts in Beverly Hills on Saturday, October 13 at 7:30 PM. 3-D glasses provided to view the fun.

Click here for tickets.

Format: 3-D DCP