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55th Anniversary Screening of IT’S A MAD, MAD, MAD, MAD WORLD (1963) on Father’s Day in Beverly Hills

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Celebrate Father’s Day at the movies as Laemmle Theatres and the Anniversary Classics Series present a 55th anniversary screening of an all-star comic romp, Stanley Kramer’s IT’S A MAD, MAD, MAD, MAD WORLD.

After making several Oscar-winning and nominated dramas like Judgment at Nuremberg, Inherit the Wind, On the Beach, and The Defiant Ones, Kramer (the winner of the Motion Picture Academy’s prestigious Irving G. Thalberg Award) decided to shift gears and make his first slapstick comedy.

The plot revolves around the frantic and desperate search for a cache of money hidden by an ex-convict. Although the film is basically lighthearted and riotous, Kramer does throw a few pointed barbs at all-American avarice. The director recruited a gigantic cast of comedians from television and theater as well as film; these performers span several decades of Hollywood history. The leading roles are played by Milton Berle, Sid Caesar, Jonathan Winters, Dick Shawn, Mickey Rooney, Buddy Hackett, Phil Silvers, Edie Adams, and Ethel Merman, with supporting and cameo roles essayed by everyone from Jimmy Durante, Buster Keaton, Jerry Lewis, and Terry-Thomas to Peter Falk, William Demarest, Barrie Chase, Eddie “Rochester” Anderson, and the Three Stooges. Spencer Tracy, who had starred in Inherit the Wind and Judgment at Nuremberg for Kramer, relished the opportunity to bring off a change of pace as the detective with his own devious plans for the hidden cash.

William Rose, who later won an Oscar for writing Kramer’s Guess Who’s Coming to Dinner, created the ingenious screenplay. The picture was nominated for six Academy Awards, including nods for cinematographer Ernest Laszlo (Ship of Fools) and composer Ernest Gold (Exodus). It won the Oscar for Sound Effects. Mad World was one of the top grossing films of 1963 and earned mainly positive reviews. Variety observed, “The comic competition is so keen that it is impossible to single out any one participant.” The New York Times’ Bosley Crowther concurred: “So many excellent actors and stunt men do so much in this film.”

Against Kramer’s wishes, the film was edited after its release. The Criterion Collection released a complete, restored version on Blu-ray in 2014, and this is the version that we will be screening.

Before the film, Kramer’s widow Karen and daughter Kat will participate in a Q&A along with actress Barrie Chase. Unfortunately, Chase will not be in attendance.

IT’S A MAD, MAD, MAD, MAD WORLD screens at 4pm on Sunday, June 17th at the Ahrya Fine Arts in Beverly Hills. Click here for tickets.

THE DEER HUNTER with Actor John Savage In Person on Tuesday, May 29 at the Ahrya Fine Arts in Beverly Hills

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On the day after Memorial Day, Laemmle Theatres and the Anniversary Classics Series present one of the greatest of all war films, Oscar’s Best Picture of 1978, THE DEER HUNTER.

Actor John Savage will participate in a Q&A at the 40th anniversary screening on Tuesday, May 29th at 7:15pm at the Ahrya Fine Arts theater in Beverly Hills. Click here for tickets.

The film won four other Oscars, including Best Director for Michael Cimino and Best Supporting Actor for Christopher Walken. Robert De Niro earned a nomination for Best Actor, and Meryl Streep earned her very first nomination for her performance in the film. Deric Washburn wrote the screenplay from a story that he created with Cimino, Louis Garfinkle, and Quinn Redeker. Master cinematographer Vilmos Zsigmond shot the film, and Peter Zinner was the editor.

This epic vision of working class America follows three steelworkers from Pennsylvania as they journey halfway across the world to fight in Vietnam. De Niro, Walken, and John Savage play the three best friends. The first hour of the film immerses us in the routines of their lives as they prepare for the wedding of Savage’s character.

In the second section the three friends find themselves in a North Vietnamese prison camp, where they endure horrific physical and psychological torture before making a heroic escape.

In the third section, they try to readjust to life back home but find this re-entry just as traumatic as their wartime experiences. George Dzundza and John Cazale (who played Fredo in the first two ‘Godfather’ films and who died before the release of THE DEER HUNTER) round out the cast.

Roger Ebert praised “one of the most emotionally shattering films ever made.” In Newsweek Jack Kroll wrote, “THE DEER HUNTER is a film of great courage and overwhelming emotional power, a fiercely loving embrace of life in a death-ridden time.” The Wall Street Journal’s Joy Gould Boyum declared, “It is one of the boldest and most brilliant American films in recent years.”

Frank Rich, then the critic for Time magazine, added, “De Niro, Walken, John Savage…and Meryl Streep are all top actors in an extraordinary film.” In addition to its Oscars, the film was named best picture of the year by the New York Film Critics Circle.

The film was also greeted by protests by some activists who felt that the movie falsified the complexities of the Vietnam War and demonized the North Vietnamese. But Cimino argued persuasively that the film was intended to belong to an antiwar tradition that went back to one of the very first Oscar-winning films, ‘All Quiet on the Western Front.’ The film was added to the National Film Registry in 1996, an honor reserved for films deemed “culturally, historically or aesthetically significant.”

John Savage had his first important screen role in THE DEER HUNTER, and he went on to star in Milos Forman’s film of the classic counterculture musical, ‘Hair,’ in the film version of Joseph Wambaugh’s best-selling novel, ‘The Onion Field,’ Richard Donner’s ‘Inside Moves,’ Oliver Stone’s ‘Salvador,’ ‘The Godfather Part III,’ Spike Lee’s ‘Do the Right Thing’ and ‘Summer of Sam.’ He also distinguished himself in the theater, playing in the original production of David Mamet’s ‘American Buffalo,’ among other roles. In addition to many TV appearances, he has worked as a producer and composer as well as an actor.

Format: DCP

LAEMMLE LIVE presents Los Angeles Youth Orchestra Chamber Players June 3

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Join us on June 3 as LAEMMLE LIVE proudly presents chamber players from The Los Angeles Youth Orchestra at the Monica Film Center. LAYO is comprised of pre-college age musicians from greater Los Angeles who rehearse and perform classical symphonic masterworks and contemporary music. Collective talent, intellectual curiosity, and discipline are key to student performances of programs that model professional orchestras, more than conventional youth orchestras.

Each season, the Los Angeles Youth Orchestra serves over 120 student musicians, ages 8-18, who hail from 60 different public and private schools. In addition to studying privately and attending weekly orchestra rehearsals, many of these students give back to their communities by teaching music to younger students, volunteering at hospitals, writing columns for their school and local newspapers, and excelling in their academic and athletic pursuits. LAYO rehearses at the Encino Community Center on Sunday afternoons and regularly performs at UCLA Schoenberg Hall and Ambassador Auditorium. LAYO has also appeared at Walt Disney Concert Hall, the Hollywood Bowl, and Carnegie Hall. The orchestra toured internationally to Vienna and Prague in 2015 and in June 2017, completed a nine-day performance tour to Italy, presenting concerts at the Arvedi Auditorium in Cremona; Terme Tettuccio in Montecatini; and Sant’Agnese in Agone in Rome. Many of the orchestra’s alumni have gone on to prestigious universities including Juilliard, Cornell, Berklee College of Music, UCLA, USC, Harvard and New England Conservatory. For more information regarding auditions and concerts, visit our website at www.losangelesyouthorchestra.org.

Event Details
Sunday, June 3, 2018
11:00 am
Monica Film Center

This is a Free Event
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TWOFER TUESDAY: 65th Anniversary Screenings of Two Marilyn Monroe Classics June 5th in Pasadena, North Hollywood, and West LA

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Laemmle Theatres and the Anniversary Classics series present a tribute to one of the greatest stars in film history, Marilyn Monroe, during her birthday month of June. The program, part of our Twofer Tuesday series, features two of Monroe’s most popular movies—GENTLEMEN PREFER BLONDES and HOW TO MARRY A MILLIONAIRE, both from 1953.

‘Blondes’ is an adaptation of the 1949 stage musical by Anita Loos and Joseph Fields, based on a 1925 novel by Loos, one of the first women writers to score a success in Hollywood as well as on Broadway. It tells the story of two showgirls and best friends, played by Monroe and fellow screen siren Jane Russell. Marilyn plays the endearing gold-digger, Lorelei Lee.

Master director Howard Hawks, who excelled in several genres, proved just as adept in his first and only screen musical. Charles Lederer, the writer of such films as Hawks’ ‘His Girl Friday’ and ‘I Was a Male War Bride,’ freely adapted the stage play. Hawks retained some of the songs by Jule Styne and Leo Robin, especially the show’s signature number, “Diamonds Are a Girl’s Best Friend,” choreographed by Jack Cole and sizzlingly performed by Monroe in a bright pink dress. But he added new songs by Hoagy Carmichael and Harold Adamson, including a classic campy number (also choreographed by Cole) with muscle-bound athletes around a swimming pool. Monroe and Russell are ably supported by Oscar winner Charles Coburn (as a lecherous diamond magnate), Tommy Noonan and Elliott Reid.

According to Peter Bradshaw of The Guardian, “Marilyn Monroe and Jane Russell make a fantastic double act in Howard Hawks’ sparkling 1953 comedy.” The New Yorker’s Richard Brody wrote, “Jack Cole’s choreography offers some of the most incisively swinging musical numbers ever filmed.” Dave Kehr of The Chicago Reader added, “The opening shot—Russell and Monroe in sequins standing against a screaming red drape—is enough to knock you out of your seat, and the audacity barely lets up from there… a landmark encounter in the battle of the sexes.”

‘How to Marry a Millionaire’ opened later in 1953 and teamed Monroe with two other screen bombshells, Betty Grable (the top pin-up girl of the 1940s), and Lauren Bacall, who seared the screen when she co-starred with her husband-to-be, Humphrey Bogart.

In this picture three working girls set their sights on snaring a rich tycoon, but their plans go awry when true love enters the picture. Jean Negulesco directed the script by Nunnally Johnson, and the men in their lives are portrayed by Cameron Mitchell, Rory Calhoun, David Wayne, Fred Clark, and screen veteran William Powell. Leonard Maltin hailed the “terrific ensemble work in dandy comedy of three man-hunting females pooling resources to trap eligible bachelors.” ‘Millionaire’ was the second movie shot in 20th Century Fox’s new Cinemascope format, following the studio’s Biblical breakthrough, ‘The Robe.’ It incorporated Alfred Newman’s memorable score, presented in stereoscopic sound.

At the Royal Theatre only, Debra Levine, the editor of the popular online arts journal arts•meme and the author of several articles about choreographer Jack Cole, will introduce the 7 o’clock screening of ‘Gentlemen Prefer Blondes.’

Our Marilyn Monroe double feature screens Tuesday, June 5th at the Royal, NoHo 7, and Playhouse 7.

Click here to buy a ticket to the 7:00pm show of GENTLEMEN PREFER BLONDES with admission to the 9:00pm show of HOW TO MARRY A MILLIONAIRE included. Or, click here to buy a ticket to the 5:00pm show of HOW TO MARRY A MILLIONAIRE with admission to the 7:00pm show of GENTLEMEN PREFER BLONDES included.

LAEMMLE LIVE presents ACADEMY PHILHARMONIC May 6

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This is a Free Event
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LAEMMLE LIVE proudly presents the Academy Philharmonic, Sunday, May 6, 2018. Middle school students from the woodwind and brass sections of Elemental Music perform chamber music from different genres. Sunday’s program will include Fire Dance by David Shaffer, March (from Second Suite in F) by Gustav Holst, arr. Scott Stanton, Amparito Roca by Jaime Texidor, arr. James Curnow, and additional selections announced from the stage.

Academy Philharmonic is a program of Elemental Music, created to inspire, train, and nurture young musicians in Santa Monica. The organization began in 2004 by a SMMUSD music teacher who wanted to create an opportunity for elementary students to play in an orchestra throughout the school year, make new friends, and get excited about music. Since then, more than 1,000 students have participated in Elemental Music. Initially serving only 25 elementary school students, programs now serve nearly 300 elementary and middle school students in seven different programs this season.

Academy Philharmonic is one of Elemental Music’s newest programs. Comprised of six, seventh, and eighth graders, Academy Philharmonic provides new opportunities for middle schoolers in Santa Monica to experience the thrill of playing in a full orchestra, learning how to listen and blend with new instrument groups, and rehearsing and performing exciting new repertoire selections – all while being coached by some of the best teachers on the westside! Our students work with expert teaching artists to polish their technical skills and dig into the joys of music-making, all in a social setting. We offer many opportunities for student performances throughout the year at three different Elemental Music concerts plus various public events in the Santa Monica community. Elemental Music’s young musicians blossom in their own ways, both socially and musically. This vibrant program inspires a love of music in the hearts of some of the westside’s youngest artists.

Event Details
Sunday, May 6, 2018
11:00 am
Monica Film Center

This is a Free Event
RSVP on Eventbrite

I LOVE YOU, ALICE B. TOKLAS! 50th Anniversary Screening with Actress Leigh Taylor-Young In Person

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Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of the hit Peter Sellers comedy from 1968, I LOVE YOU, ALICE B. TOKLAS! The Establishment meets the counterculture in this topical and often uproarious satire that poked fun at many of the conflicts dividing the country during the tumultuous 1960s.

Sellers plays an uptight Los Angeles lawyer whose life unravels when he meets a young hippie, played by Leigh Taylor-Young in her feature film debut.

Hy Averback directed the first screenplay written by Paul Mazursky and Larry Tucker, and the picture’s success allowed Mazursky to make his directorial debut one year later on another swinging sixties comedy, ‘Bob & Carol & Ted & Alice.’

The supporting cast includes Oscar winner Jo Van Fleet as Sellers’ intrusive mother, Joyce Van Patten as his befuddled fiancée, along with Herb Edelman, Grady Sutton, Salem Ludwig, and David Arkin.

One of the film’s memorable set pieces revolves around a supply of marijuana brownies that come from a recipe in cultural icon Alice B. Toklas’s famous cookbook. With marijuana now legal in California and in several other states, the film takes on renewed timeliness and may well give happy viewers a contact high. Of course, if viewers wanted to replicate the experience they could also find some of the best edibles in Canada and indulge. This would certainly give them the same feeling as the main characters.

Back in 1968, Variety declared, “Film blasts off into orbit via top-notch acting and direction.” Pauline Kael, who had recently begun her regular stint reviewing for The New Yorker, called the picture “A giddy, slapdash, entertainingly inconsequential comedy…the picture makes you laugh surprisingly often.” And Leonard Maltin praised this “excellent comedy about the freaking out of mild-mannered L.A. lawyer. Sellers has never been better.” Indeed the film represents one of the highlights of Sellers’ vibrant and diverse list of achievements during the 60s.

Actress Leigh Taylor-Young first came to prominence on the popular ‘Peyton Place’ TV series of the 1960s. Her other films include ‘The Gang That Couldn’t Shoot Straight,’ which marked one of the first screen roles for Robert De Niro; John Frankenheimer’s ‘The Horsemen,’ co-starring Omar Sharif; the prophetic sci-fi movie, ‘Soylent Green;’ and the suspense thriller ‘Jagged Edge.’ She has worked in the theater and costarred in several popular TV series, including ‘Picket Fences,’ for which she won an Emmy, ‘Dallas,’ and ‘Passions.’ In recent years she has also been active in humanitarian and spiritual activities for the United Nations and other organizations.

I LOVE YOU, ALICE B. TOKLAS! followed by Q&A with Actress Leigh Taylor-Young screens Wednesday, April 25, at 7:30 PM at the Royal Theatre in West L.A. Click here for tickets.

Format: DVD

Fred Astaire Double Feature: THE BAND WAGON and EASTER PARADE on April 3 in NoHo, Pasadena, and West LA

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Laemmle Theatres and the Anniversary Classics Series present two Fred Astaire musicals in the popular Twofer Tuesday program this Easter holiday season, the 65th anniversary of THE BAND WAGON (1953) paired with, appropriately, the 70th anniversary of EASTER PARADE (1948). Astaire is considered the most influential actor-dancer in the history of motion pictures and television, and both films showcase his bountiful talent and artistry from the Golden Age of the movie musical.

Astaire was coaxed out of retirement to replace an injured Gene Kelly as the lead in Easter Parade, co-starring Judy Garland, who plays a chorus girl he grooms for stardom to take the place of his former dancing partner (Ann Miller in her MGM debut). The period musical comedy, set in 1912, features the Irving Berlin songbook, including such joyful tunes as “Shaking the Blues Away,” “Stepping Out with My Baby,” “A Couple of Swells,” and the title song.

Directed by Charles Walters (Lili), written by Sidney Sheldon and the husband and wife team of Frances Goodrich and Albert Hackett (The Thin Man, Father of the Bride). Also starring Peter Lawford and Jules Munshin. Produced by Arthur Freed (Meet Me in St. Louis, An American in Paris, Singin’ in the Rain, Gigi). Oscar winner for Best Score of a Musical. Dance legend Gene Kelly later asserted, “the history of dance on film begins with Astaire.”

Astaire missed out on working with Cyd Charisse when she bowed out of Easter Parade, and was replaced by Ann Miller. But Astaire and Charisse got a second chance in 1953 with The Band Wagon, in which Astaire plays a “washed-up” movie star who pairs with a temperamental ballerina (Charisse) in creating a Broadway show. Producer Arthur Freed followed up his paean to the movies, Singin’ in the Rain, with that film’s writers Betty Comden and Adolph Green, who teamed this time with Broadway lyricist Alan Jay Lerner to concoct a sophisticated backstage musical confection. Nanette Fabray and Oscar Levant play characters based on Comden and Green, and are comically supported by Jack Buchanan as a maniacal director.

The memorable score showcases the songs of Arthur Schwartz and Howard Dietz, which include “By Myself,” “Shine on Your Shoes,” Dancing in the Dark,” and the show business anthem, “That’s Entertainment.” Deftly directed by Vincent Minnelli (An American in Paris, Gigi). Bosley Crowther, reviewing the film in The New York Times, praised all the assembled talent, “this witty and literate combination delivers a show that respectfully bids for recognition as one of the best musicals ever made.” Added to the National Film Registry in 1995. The Band Wagon, according to Leonard Maltin, “improves with each viewing.”

Here is a chance to see it back on the big screen in our Twofer Tuesday (two for the price of one) double bill with Easter Parade. Both films will play one day only, April 3, at Laemmle Theatres in NoHo, Pasadena, and West L.A.

For tickets to the 4:45pm EASTER PARADE and the 7pm THE BAND WAGON, click here.

For tickets to the 7pm THE BAND WAGON and 9:15pm EASTER PARADE, click here.

Format: DCP

https://www.youtube.com/watch?v=xcyByIPdW18

An Evening with Al Pacino Sunday, March 25th at the Ahrya Fine Arts in Beverly Hills

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THIS EVENT IS SOLD OUT.

Al Pacino will participate in a Q&A moderated by Stephen Fry following the double bill of Pacino’s documentary WILDE SALOMÉ and his production of Oscar Wilde’s SALOMÉ on Sunday, March 25th at 4:45pm at the Ahrya Fine Arts by Laemmle in Beverly Hills.

WILDE SALOME the documentary is, as Al Pacino describes it, a kind of “collage of a film”, representing the struggles and highs and lows of presenting a challenging and unique piece of writing by one of the literary geniuses of the 19th century, Oscar Wilde. Wilde Salome explores the complexities of Oscar Wilde’s acclaimed play Salome, Wilde himself and the birth of a rising star, in actress Jessica Chastain. The film offers an unprecedented behind the scenes look at Pacino’s journey.

SALOME is Oscar Wilde’s most controversial work, banned in London in the late 19th Century. This scintillating tale of lust, greed and revenge follows the legend of King Herod and his desire for his young stepdaughter, Salomé, and her sexual baiting of John the Baptist. Wilde’s adaptation has spawned multiple stage productions including an opera by Richard Strauss. “SALOME is my attempt to merge play and film. The mediums can collide and my hope is to have them unify so that you’re seeing pure theater on film. To make that hybrid effective has been my goal; to have the more naturalistic photogenic qualities of film complement the language-driven essence of theater.” (Al Pacino)

Al Pacino will introduce WILDE SALOME at 4:45pm. The documentary will be followed by a 15 minute intermission. A post-screening Q&A moderated by Stephen Fry with Al Pacino will follow SALOME. Click here to purchase tickets. SOLD OUT.