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LAEMMLE LIVE presents LOS ANGELES PHILHARMONIC MUSICIANS: UP CLOSE April 8

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LAEMMLE LIVE proudly presents Los Angeles Philharmonic Musicians: Up Close. An ensemble from the Philharmonic performs Mozart Quintet in A major for Clarinet, 2 violins, viola and cello K. 581.  Guest Host: KUSC Announcer Rich Capparela. David Howard, clarinet, Mitchell Newman and Rebecca Reale, violins, Ingrid Hutman, viola, Timothy Loo, cello.

Violinist Mitchell Newman is a native of Los Angeles and joined the Los Angeles Philharmonic in 1987. After studies with Philharmonic violist David Stockhammer, he attended the Curtis Institute of Music, studying with David Cerone, Yumi Ninomya and Aaron Rosand. Newman is a regular participant in the LA Phil’s Chamber Music Society and Green Umbrella series and has had the opportunity to play the Mendelssohn Octet with Joshua Bell, and Thomas Ades’ Piano Quintet with the composer playing piano. He has also recorded the music of Eric Zeisl for Harmonia Mundi, and Stories from My Favorite Planet by Los Angeles composer Russell Steinberg. Currently, Newman teaches privately and coaches orchestra repertoire at the Colburn School. Each year he produces, performs, and narrates a concert in English and Spanish for the Los Angeles Philharmonic at St. Thomas Church. Also yearly, he produces and plays a fundraising chamber music concert for Mental Health America Long Beach and was recognized as a Mental Health Hero by the California State Senate. In the summer of 2010, Newman opened Hilltop Boot Camp: Orchestra Audition Preparation for Strings (playdonjuan.com). He also travels to Ensenada, Mexico to work with the students of the Benning Academy, a program that provides instruments and lessons to children of all economic backgrounds. Newman is President of the Board of the Los Angeles Youth Orchestra.

Rebecca Reale born in upstate New York, began studying the violin when she was just two and a half years old. Her passion for music led her to Boston at an early age to attend boarding school for the arts. While she was there, she studied with Muir Quartet member and Boston University professor Peter Zazofsky. She received her Bachelors Degree from Rice University as a full scholarship student, where she studied with Kathleen Winkler. Ms. Reale was a fellow with the New World Symphony for their 2015-2016 season. During her time there, she won the concerto competition and performed Mozart’s Violin Concerto No. 5 in A major with the orchestra on a subscription concert. Rebecca was the associate principal second violin of the Houston Symphony, and served as acting principal second for the 2016-2017 season.

Violist Ingrid Hutman was born in Los Angeles and earned her Bachelor of Music degree at California State University Northridge, where she studied with Louis Kievman and Heiichiro Ohyama, the Philharmonic’s former Principal Violist. Hutman continued her studies at the Cleveland Institute of Music under the tutelage of the Cleveland Orchestra’s Principal Violist, Robert Vernon; she also participated in the Los Angeles Philharmonic Institute during the 1987 and 1988 seasons.Since she joined the Los Angeles Philharmonic in 1991, Hutman has performed regularly with the Los Angeles Philharmonic Chamber Music Society and the Los Angeles Philharmonic New Music Group. She joined the faculty of the Colburn School of Performing Arts in 1997.

Clarinetist David Howard has been a member of the Los Angeles Philharmonic since 1981, when, at age 25, he was hired by then Music Director Carlo Maria Giulini. Over the last few seasons, he has performed and given master classes at international festivals in Tel Aviv, Vancouver, Helsinki, Beijing, London, Stockholm, and Caracas. With the Los Angeles Philharmonic New Music Group, Howard performed as soloist in John Harbison’s Concerto for Oboe, Clarinet, and Strings under the direction of the composer; he was also the bass clarinet soloist in Iannis Xenakis’ Échange, conducted by Esa-Pekka Salonen. In February 2015 Howard was featured as soloist in the role of the Caterpillar in Unsuk Chin’s Alice in Wonderland. Previously, Howard was principal clarinetist with the New Jersey Symphony and the New Haven Symphony. A Los Angeles native, Howard received a B.A. in Russian Literature from Yale University, graduating magna cum laude. Since 1986, he has served on the faculty of the Thornton School of Music at the University of Southern California.

Cellist Timothy Loo joined the Lyris Quartet in 2008. A passionate chamber musician, he founded his first quartet, the Denali Quartet, in 1999 while pursuing his Advanced Studies in Cello with Ronald Leonard at the University of Southern California. As a member of the Denali quartet, he participated in masterclasses with the Julliard, Vermeer, and Takacs Quartets. In 1999, Mr. Loo co-founded Mladi, Los Angeles’ conductorless chamber orchestra. He performed with this group until 2008. Mr. Loo has performed in the masterclasses for Yo-Yo Ma, Ronald Leonard, David Geringas, Natalia Gutman, Franz Helmerson, and Bernhard Greenhouse. Mr. Loo has won positions in both Philharmonie der Nationen in Hamburg, Germany, Sarasota Opera Orchestra, and New West Symphony. He has also performed with the Los Angeles Opera Orchestra, New West Symphony, Pasadena Symphony, Santa Barbara Symphony, Los Angeles Master Chorale and is currently the principal cellist of the Long Beach Opera Orchestra, and filled in for cellist Robert de Maine and soloed with the Los Angeles Philharmonic in early 2018.

Event Details
Sunday, April 8, 2018
11:00 am
Monica Film Center

WE ARE SOLD OUT
Email sheryl@laemmle.com
For wait-list information

This is a Free Event
RSVP on Eventbrite

Lily Tomlin In Person for THE LATE SHOW (1977) on Saturday, March 24th in Beverly Hills

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Laemmle Theatres and the Anniversary Classics series present a screening of one of the forgotten gems of the 1970s, Robert Benton’s homage to the detective genre, THE LATE SHOW, produced by Robert Altman and starring Oscar winner Art Carney and Oscar nominee Lily Tomlin. Tomlin, a Tony, Emmy, and Grammy winner, will join us for a discussion of one of her most charming films.

Carney plays an aging private eye who swings into action after the murder of his friend and fellow detective, played by Howard Duff. This plot element recalls the opening of the archetypal private eye movie of Hollywood’s Golden Age, The Maltese Falcon. But Carney’s age and infirmities add a touch of vulnerability to the portrait that wasn’t evident in the classic films with Bogart and other stars of the 1940s.

Tomlin plays a Hollywood kook who initially hires Carney to find the kidnapper of her cat but ultimately joins him in his detective work. As Variety wrote, “Benton has fashioned a contemporary tribute to the private eye yarns of the 1940s and in the process has given Carney and Tomlin the freedom to create extremely sympathetic characters. Both performances are knockout.” Time’s Richard Schickel agreed that The Late Show was “by far the most intelligent, engaging attempt at reincarnation of the private eye genre.”

Benton, the co-writer of Bonnie and Clyde and What’s Up, Doc?, had made his directorial debut in 1972 with Bad Company, starring Jeff Bridges. The Late Show was only his second film as director, and his third, Kramer vs. Kramer, the best picture winner of 1979, earned Oscars for Benton as both writer and director. He earned another Oscar for writing Places in the Heart in 1984. The tasty supporting cast of The Late Show includes Joanna Cassidy, Bill Macy, Eugene Roche, and John Considine, in addition to Duff.

After her hilarious work playing multiple characters on Rowan & Martin’s Laugh-In and her Emmy-winning TV specials, Tomlin made her feature film debut in Altman’s Nashville and earned an Oscar nomination. The Late Show was only her second feature.

Pauline Kael wrote, “If anyone else were playing Margo, she might be a mere kook; Tomlin makes her a genuine eccentric—she isn’t just the heroine, she’s the picture’s comic muse.”

Tomlin’s later films include the hit comedy, 9 to 5, The Incredible Shrinking Woman, All of Me with Steve Martin, Flirting with Disaster, and Altman’s final film, A Prairie Home Companion. She won a Tony award for her one-woman show, The Search for Signs of Intelligent Life in the Universe, and she has received three Emmy nominations for her performance in the current hit comedy series, Grace and Frankie, in which she appears with her 9 to 5 co-star, Jane Fonda. Tomlin has also been honored by the Kennedy Center and received the Life Achievement Award from the Screen Actors Guild.

THE LATE SHOW (1977) with Lily Tomlin in person screens Saturday, March 24, at 7:30 PM at the Ahrya Fine Arts Theatre in Beverly Hills. Format: DVD Click here for tickets.

TEHRAN TABOO Q&A with the Filmmaker Opening Night at the Fine Arts.

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TEHRAN TABOO director Ali Soozandeh will participate in a Q&A after the 7:30 PM screening at the Ahrya Fine Arts on Friday, March 9. Journalist and film critic Carlos Aguilar will moderate.

https://www.youtube.com/watch?v=xUnSemNTycE&feature=youtu.be

Oscar-nominated Animated Features LOVING VINCENT and THE BREADWINNER this Week at the Ahrya Fine Arts

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Starting Friday you’ll have a great opportunity to catch up on two Oscar nominees for Best Animated Feature Film at the Ahrya Fine Arts in Beverly Hills! Maybe you missed them their first time around, maybe you want to bring friends, or maybe you’re cramming for our Predict the Oscars Contest.

LOVING VINCENT is the world’s first fully oil painted feature film. Drawn from meticulous research and inspired by van Gogh’s masterpieces and 800 personal letters, 125 specially trained painters created 65,000 painted frames for a cinematic experience like no other.

As an added treat, filmmakers Dorota Kobiela and Hugh Welchman will participate in a Q&A after the 7:30 PM screening on Saturday, March 3!

In THE BREADWINNER, an 11-year-old girl growing up under the Taliban in Afghanistan cuts off her hair and dresses like a boy in order to support her family after her father is wrongfully arrested . Working alongside her friend, she draws strength from the fantastical stories she invents, as she embarks on a quest to find her father and reunite her family.

THE BREADWINNER comes from the same creators of the Academy Award-nominated THE SECRET OF KELLS and SONG OF THE SEA. The film scored an impressive 94% on Rotten Tomatoes!

Both films screen daily from Friday, March 2nd through Thursday, March 8th.

Animation fans should also mark March 9th on their calendars for the opening of TEHRAN TABOO in Beverly Hills and Encino. The lives of several strong-willed women and a young musician intersect, revealing the hypocrisies of modern Iranian society, where sex, drugs, and corruption coexist with strict religious law. Making use of rotoscope animation, expat Iranian filmmaker Ali Soozandeh creates a portrait of contemporary Tehran that would be impossible by any other means.

Sublime Israeli Drama FOXTROT Opens Friday

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This Friday we are excited to open Samuel Maoz’s FOXTROT at the Royal in West L.A. Cinephiles in the Valley and and Pasadena area can see the film starting March 9 at the Town Center and Playhouse. A biting social satire in which a troubled family copes with the death of their son at his isolated military post, FOXTROT is the official Oscar submission from Israel that wrecked audiences and earned rave reviews at the Venice, Telluride and Toronto Film Festivals. It won the Grand Jury prize at Venice, as well as eight Ophir Awards including Best Film, Best Director and Best Actor.

American film critics have been universally overwhelmed by the movie. Writing in the L.A. Times, Kenneth Turan said that “no matter what you’re expecting, FOXTROT is not the film you expect it to be. It’s better.” In the New York Times, Manohla Dargis called it “a movie that builds into a devastating indictment of a nation, shock by shock, brutal moment by brutal moment.” Jay Weisberg of Variety was similarly rapturous in his appraisal: “[FOXTROT is] brilliantly constructed with a visual audacity that serves the subject rather than the other way around, this is award-winning filmmaking on a fearless level.” Deborah Young of the Hollywood Reporter called it “bold modernist cinema at its most harrowing.”

When asked about his film, Mr. Moaz shared the following:

“Einstein said that coincidence is God’s way of remaining anonymous. FOXTROT is a dance of a man with his fate. It’s a philosophical parable trying to deconstruct this vague concept called ›fate‹ through a story about father and son. They are far from each other, but despite the distance and the total separation between them they change each other’s fate, and of course their fates. The challenge I set for myself was to deal with the gap between the things we control and those that are beyond our control.

“I chose to build my story as a classic Greek tragedy in which the hero creates his own punishment and fight against anyone who tries to save him. He is obviously unaware of the outcome that his action will bring about.

“On the contrary, he is doing something that seems right and logical to do. And that’s the difference between a casual coincidence and a coincidence that looks like a plan of fate. Chaos is settled. The punishment corresponds to the sin in its exact form. There is something classic and circular in this process. And there is also an irony that is always associated with fate. A structure of a Greek tragedy in three sequences seemed to me like an ideal dramatic platform to deliver my idea.

“I wanted to tell a story that would be relevant to the crooked reality in which I, and we, live. A story with a relevant statement – local and universal. A story about two generations – the second generation of the Holocaust survivors and the third generation – and each of them experienced trauma during his army service. Part of this endless traumatic situation was forced upon us and part of it could have been avoided. A drama about a family that breaks apart and reunites. A conflict between love and guilt; love that copes with extreme emotional pain. And as in my previous film, Lebanon, I wanted to continue to investigate, in an intensive manner that combines criticism and compassion, a human dynamic created in a closed unit. The film has a shot where you see a screen of a laptop with a notice of mourning and next to it a bowl withnoranges. This frame is the story of my country in four words – oranges and dead soldiers.

“When my eldest daughter went to high school, she never woke up on time, and in order not to be late she would ask me to call for a taxi. This habit cost us quite a bit of money, and it seemed to me like a bad education. One morning I got mad and told her to take the bus like everyone else. And if that’s why she’d be late, then she’d be late. Maybe she should learn the hard way to wake up in time. Her bus was line 5. Half an hour after she left, I see in a news site that a terrorist blew himself up in line 5, and that dozens of people were killed. I called her but the cellular operator collapsed because of the unexpected load. Half an hour later, she returned home. She was late for the bus that exploded. She saw him leave the station and took the next bus. And I’m still considered lucky because I have girls …”

https://www.youtube.com/watch?v=wrBEDEmUceM

LAEMMLE LIVE presents Lincoln Middle School Ensembles March 18

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LAEMMLE LIVE proudly presents Lincoln Middle School Madrigal Singers, Vanessa Counte, Director and Theatre Program, Chad Scheppner, Artistic Director. Theatre 31 provides fun, non-competitive, all-inclusive theatre arts classes and camps that give students an opportunity to strengthen their abilities to perform and collaborate, enhance their skills of interpersonal awareness, and build self-confidence. This program features a selection of songs from Lincoln Middle School’s recent production of Once on This Island. Set on an island in the Caribbean, Once on This Island is a colorful musical adventure where The Little Mermaid meets Romeo and Juliet.  It is the journey of a young woman who, with her love, unites two different social classes, making the world a brighter and more inclusive place. Photo: Milan Sigal Ashley http://milan.photography

The Madrigals program will include a variety of classical and popular music, folk songs. The Madrigal Singers are an audition-based a cappella ensemble at Santa Monica’s Lincoln Middle School. The young singers meet once a week to rehearse and focus on Renaissance through contemporary a cappella choral literature. Recipients of top ratings in Southern California Festivals, they have been guest performers at local elementary schools, cub scout holiday meetings, and the Aga Khan Foundation Walk.

 

Event Details
Sunday, March 18, 2018
11:00 am
Monica Film Center

This is a Free Event
RSVP on Eventbrite

 

Q&A with DIE HARD Co-Stars Bonnie Bedelia and Reginald VelJohnson and Screenwriter Steven E. de Souza

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Laemmle Theatres and the Anniversary Classics Series present a 30th anniversary screening of one of the most popular modern action movies, DIE HARD, which made a movie star of Bruce Willis and set the template for many subsequent thrillers set in a confined space on a single day or night. The film was nominated for four Academy Awards, and in 2007, Entertainment Weekly named it the best action film of all time. In 2017 it was selected for inclusion in the National Film Registry.

Details:

Tuesday, March 6, at 7:30 PM at the Ahrya Fine Arts Theatre
Q&A with Co-Stars Bonnie Bedelia and Reginald VelJohnson
Plus, Screenwriter Steven E. de Souza
Format: DCP
Click here for tickets

Willis plays New York policeman John McClane, who travels to Los Angeles on Christmas Eve to try to reconcile with his estranged wife, who has taken a top job with the Nakatomi Corporation in a sleek new office building (actually the brand new Fox Plaza building in Century City). But he walks into a terrorist attack and has to use both brains and brawn to foil a gang of European thugs. John McTiernan directed the script by Steven E. de Souza and Jeb Stuart.

Acclaimed British theater actor Alan Rickman made his feature film debut as the leader of the terrorists, Hans Gruber, ranked as one of the greatest villains of all time by the American Film Institute. The excellent, eclectic supporting cast includes Bonnie Bedelia, Reginald VelJohnson, DeVoreaux White, James Shigeta, Alexander Godunov, Hart Bochner, and William Atherton. Leonard Maltin called the picture a “dynamite action yarn.” The movie was a box office smash and spawned four sequels.

Oscar-winning director Brad Bird recently paid tribute to the film: “Hands down, the original DIE HARD is one of the greatest action movies ever made—it’s relentlessly inventive, engaging and funny at the same time.”

Bonnie Bedelia, who plays Holly McClane, started her film career with memorable roles in They Shoot Horses, Don’t They? and Lovers and Other Strangers. She also co-starred in The Big Fix, Violets Are Blue, Presumed Innocent, DIE HARD 2, Sordid Lives, and earned rave reviews for her starring role in Heart Like a Wheel. She has appeared in many acclaimed TV movies and in the popular series The Division and Parenthood.

Reginald VelJohnson, who plays Sgt. Al Powell, the policeman who comes to McClane’s aid, also reprised his role in DIE HARD 2. He appeared in many other films and TV series but is probably best remembered for his starring role in the long-running TV sitcom, Family Matters.

Screenwriter Steven E. de Souza also wrote 48 Hrs, The Running Man with Arnold Schwarzenegger, Ricochet with Denzel Washington, Beverly Hills Cop III, and Judge Dredd.

“Wes is More” Every Throwback Thursday in March at the NoHo 7

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Wes is More every Throwback Thursday in March at the NoHo 7! Savor every frame of five Wes Anderson classics, from BOTTLE ROCKET to FANTASTIC MR. FOX. Anderson’s new stop-motion film, ISLE OF DOGS, opens in Pasadena and NoHo on March 28th and in Claremont and Santa Monica on April 6th.

https://www.youtube.com/watch?v=rU1unoEUz1E
 

Our “Wes is More” #TBT series begins on Thursday, March 1st with RUSHMORE! Doors open at 7pm, trivia starts at 7:30, and movies begin at 7:40pm. Check out the full schedule below!

March 1: Rushmore

Max Fischer (Jason Schwartzman) is the president of practically every club at his prestigious school. He is also one of the worst students. His latest pursuit is falling for a first-grade teacher. But when Max’s tycoon mentor (Bill Murray) starts an affair with the teacher, it triggers a war between Max and his friend. Format: Blu-ray. Tickets.

March 8: The Royal Tenenbaums

Royal Tenenbaum and his wife Etheline had three children. They were a family of geniuses and then they separated. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure and disaster. Most of this was generally considered to be their father’s fault. The tale follows the family’s sudden and unexpected reunion one recent winter. Format: DCP. Tickets.

March 15: Bottle Rocket

A group of young Texans aspiring to become master thieves hook up with a master con-man (James Caan) who sends them on a daring — if ill-conceived — mission. Luke Wilson, Owen Wilson, and Robert Musgrave star. Format: DCP. Tickets.

March 22: The Darjeeling Limited

Three brothers (Owen Wilson, Jason Schwartzman and Adrien Brody) try to reforge family bonds on a train trip across the vibrant and sensual landscape of India. Format: DCP. Tickets.

March 29: Fantastic Mr. Fox

Wes Anderson directs a stop-motion animated version of a Roald Dahl children’s book about a resourceful fox (with the voice of George Clooney) who challenges three evil farmers. With the talents of Meryl Streep, Bill Murray, Jason Schwartzman, Owen Wilson, Willem Dafoe, Brian Cox, Adrien Brody and Michael Gambon; Mr. Anderson wrote the screenplay with Noah Baumbach. Format: DCP. Tickets.

Our weekly #TBT series is in partnership with Eat|See|Hear. Visit www.laemmle.com/tbt for details.