FAST COLOR writer-director Julia Hart and star Gugu Mbatha-Raw (BELLE, A WRINKLE IN TIME, BEYOND THE LIGHTS) will participate in a Q&A after the 4:10 PM screening at the Laemmle Glendale on Sunday, April 28 and after the 4 PM screening at the Laemmle NoHo on Saturday, May 4.
Marcel Pagnol’s Classic French Comedy THE BAKER’S WIFE, Restored and Back in Theaters April 26-May 2.
The warmth and wit of celebrated playwright turned auteur Marcel Pagnol (The Marseille Trilogy) shines through in the enchanting slice-of-life comedy The Baker’s Wife (1938). Returning once again to the Provençal countryside he knew intimately, Pagnol draws a vivid portrait of a close-knit village where the marital woes of a sweetly deluded baker (the inimitable Raimu, heralded by no less than Orson Welles as “the greatest actor who ever lived”) snowball into a scandal that engulfs the entire town. Marrying the director’s abiding concern for the experiences of ordinary people with an understated but superbly judged visual style, The Baker’s Wife is at once wonderfully droll and piercingly perceptive in its nuanced treatment of the complexities of human relationships.
Here’s are some fun facts about the movie:
—The story is taken from the novel Blue Boy (Jean le bleu) by Jean Giono. It was Marcel Pagnol’s fourth and final Giono adaptation, after Jofroi (1934), Angèle (1934), and Harvest (1937).
—Pagnol’s initial choice for the role of the baker was Marcel Maupi, whose frail constitution was more in keeping with Giono’s physical description of the character in Blue Boy. But the part eventually went to the burly Raimu. (Maupi plays Barnabé in the film.)
—Pagnol wrote the part of Aurélie for Joan Crawford, using minimal dialogue since she didn’t speak French. After she declined, Raimu convinced Pagnol to cast Ginette Leclerc, who would go on to star in such films as Le Corbeau (1943) and Tropic of Cancer (1970).
—Raimu refused to play his dialogue scenes outdoors. Therefore, much of the film was shot in a studio, giving many scenes a look that’s a combination of location and studio photography.
—The film’s exteriors were shot in the medieval village of Le Castellet, roughly thirty miles southeast of Marseille. Today, the area is famous for its wine production and Formula 1 racetrack.
—The film was a major critical and box office hit in France when it was released in 1938. In 1940, the film also had a successful run in the U.S., where it won best foreign film honors from both the National Board of Review and the New York Film Critics Circle.
—In the mid-forties, after the war, Orson Welles visited Pagnol and told him that he had seen The Baker’s Wife and would like to meet its star, Raimu, whose acting Welles revered. Pagnol informed Welles that Raimu had recently passed away, and Welles burst into tears.
—Pagnol adapted his script for The Baker’s Wife into a theatrical production but only staged one performance. In 1976, a musical adaptation of the same name, with music and lyrics by Stephen Schwartz and a book by Joseph Stein, embarked on a six-month tour of small venues in the U.S., undergoing major retooling along the way. The musical finally premiered in the West End in 1989. Although the reviews and audience reaction were positive, the show lasted here for only fifty-six performances. It has not been produced on Broadway.
—In The Catcher in the Rye, Holden Caulfield, despite his own distaste for movies, mentions that his younger sister, Phoebe, likes them and knows the difference between good and bad films. He says that he took her to see The Baker’s Wife and she found it hysterical.
We will screen The Baker’s Wife daily at the Ahrya Fine Arts April 26-28 and April 29 at the Laemmle Glendale, April 30 at the Playhouse 7, May 1 at the Town Center and Claremont, and May 2 at the Royal.
LAEMMLE LIVE PASADENA presents Caesura Youth Orchestra May 5
Laemmle Theatres proudly presents LAEMMLE LIVE PASADENA, inspired by Laemmle’s popular concert series in Santa Monica. Laemmle Live showcases emerging musicians and professional performers from local schools and organizations, celebrating our diverse community with live performance. Laemmle Live Pasadena’s free Sunday morning concerts take place in the courtyard between Laemmle’s Playhouse 7 and Vroman’s Bookstore from 11am to 12pm. A light reception will follow the concert.
This Sunday morning concert features the Caesura Youth Orchestra. Based in Glendale, California, the program provides music education, group lessons and free instruments to under-served elementary students. After completing an initial basic music course, the students are able to choose from the following instruments: violin, viola, cello, flute, clarinet and trumpet.
The Caesura Youth Orchestra follows the El Sistema model for providing music to under-served students. The program is now in it’s fifth year as an after-school program. Elementary students begin the program with a basic music education class, learn to play the recorder and the importance of caring for an instrument. Students may then select an instrument. Each of the ensembles meets for 1 1/2 to 2 hours three times each week. Students perform regularly at events in the Glendale area. Class room teachers at the end of each year evaluate the effect the program has on students in their class rooms. They indicate that these students have become team players, student leaders and display increased academic skills.
For more information visit: www.mycyo.org
This is a Free Event!
RSVP via Eventbrite
Sunday, May 5, 2019
Playhouse 7 Courtyard
673 East Colorado
Pasadena, CA 91101
11am – 12pm
SATAN & ADAM Q&A with Filmmakers at the Glendale and Monica Film Center.
SATAN & ADAM director V. Scott Balcerek will participate in Q&A’s following the 7:30 pm shows on Friday, 4/19, and Saturday, 4/20 at the Glendale and on Tuesday, 4/23 at the Monica Film Center. Producer Ryan Suffern will join the Q&A on Saturday.
THE BIKES OF WRATH Q&A’s with Director at Multiple Locations.
THE BIKES OF WRATH director Cameron Ford will participate in Q&A’s after the 7:30 pm screenings at the following locations and dates:
Monica Film Center on Apr 14th
Ahrya Fine Arts on Apr 15th
Playhouse 7 on Apr 16th
Glendale on Apr 17th
Claremont 5 on Apr 18th
LAEMMLE LIVE PASADENA presents Pascale Music Institute April 7
LAEMMLE LIVE PASADENA, inspired by Laemmle’s popular concert series in Santa Monica presents nationally acclaimed Pascale Music Institute on April 7. Laemmle Live showcases emerging musicians and professional performers from local schools and organizations, celebrating our diverse community with live performance. Laemmle Live Pasadena’s free Sunday morning concerts take place in the courtyard between Laemmle’s Playhouse 7 and Vroman’s Bookstore from 11am to 12pm. A light reception will follow the concert
Award-winning Pascale Music Institute, founded by Susan Pascale, teaches aspiring musicians as young as three and half years old to play the violin, viola, cello, bass, and piano. The Sunday concert will feature the Los Angeles Children’s Chamber Orchestra conducted by Los Angeles Philharmonic violinist, Mitchell Newman. Students of the Pascale Music Institute, or PMI, are taught using the innovative The Pascale Method®, a systematic approach that sets young children up for success from the beginning. Detailed directions, fun exercises, rapid progress, coupled with a delightful reward system motivate students to master skills quickly and correctly. From the beginning, the Pascale Method and Institute stress the importance of music reading, and within 12 weeks, the student is ready to perform for friends and family, and advance to the next level of instruction. For more information visit pascalemusic.com
This is a Free Event!
RSVP via Eventbrite
Sunday, April 7, 2019
Playhouse 7 Courtyard
673 East Colorado
Pasadena, CA 91101
11am – 12pm
ART IN THE ARTHOUSE presents: DANCING WITH COLORS in Pasadena
Swing, samba or shimmy on over to Art in the Arthouse’s newest exhibit in Pasadena, DANCING WITH COLORS. This bold festival of color from artists Nancy R. Wise and Raymond Logan runs till June, 2019. Sales benefit the Laemmle Foundation and its support of humanitarian and environmental causes in the Los Angeles region.
About the Exhibit
NANCY R. WISE: Oil painter Nancy R. Wise is enchanted by color. She views her art as daily reality transformed by color and texture, woven on the loom of light. She states, “I love the vibrancy of bright colors, thick impasto-like textures against thin washes and strong forms to communicate an experience of a subject’s essence. It is my way to abstract and transform our ordinary experiences and reawaken life’s vibrant aesthetic.”
RAYMOND LOGAN: Don’t call Raymond Logan a “realistic artist.” While his work depicts real-life subject matter, it is grounded in abstraction and intuition. His true goal is to create a dialogue with you, the viewer, where a mutual discovery and re-imagining of “the self” can take place. Logan uses deft strokes of thick paint in surprising colors extrapolated from what he sees in the object – enhanced by how he wants those colors expressed. Get close up and you’ll find that his representational art becomes fully abstract.
Logan and Wise are connected through their mutual love of color and the ways they apply that color to their artwork. Logan spares nothing as he lavishly slaps thick globs of paint onto the canvas, while Wise contrasts impasto with thinner areas to create dynamic separation. From the first moment I saw their vibrant artwork, I knew their pieces would dance well together.
– Tish Laemmle, curator
THE WIND Q&A with Filmmaker Opening Night in Glendale.
THE WIND director Emma Tammi will participate in a Q&A on Thursday, 4/4 following the 7:30 pm show.
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