On Meditation is a compilation of portraits that explore the practice of meditation in all its forms. Practiced for thousands of years, meditation is at once profound and simple: the focused attempt to move beyond conditioned thinking into a deeper state of awareness. Yet what does that path, one of the inner journey, which is above all a private, interior one, really look like? On Meditation conveys firsthand experiences of those who have developed meaningful practices and are willing to share their experiences.
Meditation is a part of yoga and deals with mental relaxation and concentration techniques. If you are fascinated by all things meditation and want to deepen your knowledge of yoga, you might also be interested in attending a yoga teacher training course. For more information about what you can expect and to find out how to book your place, go to siddhiyoga.com.
We open the film August 12th at the Fine Arts and several screenings will feature guided meditation with the following people:
8/12, 5pm screening- Jana Roemer. Ms. Roemer is a teacher, wellness advocate, and contributing writer to lifestyle website Sonima. She has traveled the globe as a student of spirituality, prayer and meditation. She believes her experiences and way of Being best communicates her ideology. She is a yoga and meditation teacher, wellness advocate, and contributing writer to lifestyle website Sonima. http://www.janaroemer.com
8/14, noon screening- Scott Schwenk. Mr. Schwenk is a master coach and professional consultant who teaches leadership development through meditation. His expertise comes from his training with MIT’s Sloan School, Landmark Education, and several years of immersive study in a monastery. Scott has been an avid meditator for over 25 years and has studied under master instructor Sally Kempton. scottschwenk.com
8/14, 8pm screening- Jessie Barr. Ms. Barr is an actor and accomplished yoga teacher who shares her passion through instruction and her critically acclaimed web series OM City. After training as a dancer, she received her certifications in Yoga and Reiki — studying under renowned coaches Elena Brower and Brenda Villa. Jessie shares her passion through instruction and her critically acclaimed web series OM City, in which she co-created and stars. http://omcityseries.com and http://jessiebarryoga.com


We open our sagebrush weekend with the “third and best of Sergio Leone’s ‘Dollars’ trilogy… the quintessential spaghetti Western,” according to Leonard Maltin. The trilogy became the most popular of the hundreds of European Westerns made in the 1960s and 70s. The Good, the Bad and the Ugly, set during the Civil War in New Mexico, is actually a prequel to A Fistful of Dollars and For a Few Dollars More, all of which starred Clint Eastwood as Blondie, or the Man with No Name. Leone and his screenwriters considered the film a satire with its emphasis on violence and deconstruction of Old West romanticism.
This film won seven Oscars in 1991, including Best Picture and Best Director Kevin Costner. (It was the first Western to be named Best Picture since Cimarron took the prize in 1931.) It remains one of the most popular Western films of all time, with one of the few positive and honest portrayals of Native American culture. And it is a genuine historical epic that deserves to be seen on the big screen, where its spectacular battle scenes and buffalo hunt can be fully appreciated.
The film was nominated for three Academy Awards in 1966, including Best Director and Best Screenplay for Hollywood veteran (and past Oscar winner) Richard Brooks. This irreverent Western boasts plenty of sardonic humor and turns many of the values of the genre upside down, but it does not skimp on production values or striking cinematography (by Oscar winner Conrad Hall). “Taut excitement throughout” was the verdict of Leonard Maltin.
One of the finest collaborations of John Wayne and director John Ford is also one of the most influential and admired Westerns in history. At the time of its release, The New York Times’ Bosley Crowther called it “a ripsnorting Western,” but its reputation grew in later years.
We close the weekend with a modern take on the oater genre. This 1961 film’s themes of outsiders and non-conformists misplaced in contemporary society, with no new undiscovered frontiers, provide a fitting elegy to the Western.











